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Current Release

THE SHOWBUZZDAILY REVIEW: “Safe Haven”

  SAFE HAVEN:  Watch It At Home – Nicholas Sparks Churns Out Another This year’s Nicholas Sparks romantic melodrama SAFE HAVEN is so much like last year’s Sparks romantic melodrama The Lucky One that one...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “The East”

  A couple of Sundances ago, the actress/writer/producer Brit Marling was a festival darling, with two acclaimed pictures unveiled the same week.  In the end, while both Another Earth and Sound of My Voice received di...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “Passion”

It’s unfortunately not saying very much to note that PASSION is the best eeffort Brian DePalma has managed to turn in lately.  DePalma’s Redacted was one of the worst films by a major American director in recent...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “42”

  42:  Watch It At Home – The Hallmark Baseball Hall of Fame It may well be that 42 is the Jackie Robinson movie audiences want.  It’s a straightforward, handsomely-produced, inspirational telling of a genuin...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “Sabotage”

  SABOTAGE:  Not Even For Free – A Bloody Waste SABOTAGE is a lot bloodier than you’re expecting.  A lot bloodier.  I mention this upfront because although an R-rated Arnold Schwarzenegger vehicle carries wi...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “G.I. Joe: Retaliation”

  G.I. JOE: RETALIATION:  Not Even For Free – Endlessly Dumb Exercise In Boom-Boom Action There’s a difference between making a movie for 11-year old boys and having a script that seems to have been written by...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Looper”

  LOOPER:  Worth A Ticket – Maybe Too Enthralling For Its Own Good   Rian Johnson’s most salient trait as a filmmaker may be a tendency to get carried away.  His first film, Brick, was a high school film...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Not Fade Away”

  NOT FADE AWAY:  Watch It At Home – The Tumultuous 1960s (Again) What do you do after you’ve created the seminal television drama of our time?  If you’re David Chase, it seems that you take a few years...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “This Is The End”

  THIS IS THE END:  Worth A Ticket – Apocalypse Right Now Imagine an dystopian mumblecore extravaganza populated mostly by the Judd Apatow stock company, and you’ll have an idea of what to expect from THIS IS ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Camp X-Ray”

  The Dramatic Competition at Sundance this year featured a pair of films that were largely built on duologues between two strong protagonists.  Attention was mostly–and properly–focused on Whiplash, which end...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “Carrie”

  CARRIE:  Watch It At Home – Respectable But Uninspired Rebo The talented director Kimberley Peirce plays a losing game with her remake of Brian DePalma’s iconic 1976 CARRIE.  (In fairness to Peirce, it̵...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “Divergent”

  DIVERGENT:  Watch It At Home – Not Hungry Enough The film of DIVERGENT, even more than Veronica Roth’s YA-franchise source novel, is determined to resemble The Hunger Games as much as any movie can that̵...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Oz the Great and Powerful”

  OZ THE GREAT AND POWERFUL:  Watch It At Home – Not All Yellow Brick Roads Are Golden The digital landscapes in Sam Raimi’s prequel OZ THE GREAT AND POWERFUL are gorgeous:  eye-poppingly colorful, and cramme...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “The Lifeguard”

  If you go to too many Sundances, or see too many indie films, there are certain templates you come to recognize all too quickly.  THE LIFEGUARD, written and directed by Liz W. Garcia, a TV writer (Memphis Beat, Cold Cas...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Streaming Film Review: “Palm Springs”

  The borders between “movies” and “television” were already beginning to buckle pre-pandemic, thanks to Netflix and the desire of studios to release their product on as many simultaneous platforms ...
by Mitch Salem
 
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