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Current Release

THE SHOWBUZZDAILY REVIEW: “Oblivion”

  OBLIVION:  Worth A Ticket – Dramatically Uneven, But Visually Spectacular OBLIVION is amazing to look at.  Even though it takes place in the same post-apocalyptic landscape where movie and TV audiences seem to sp...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “A.C.O.D.”

  Stu Zicherman’s A.C.O.D. (written by Zicherman and Ben Karlin) suffers a bit from a familiar indie comedy malady:  the conflicting desires to tell meaningful and even dark stories, while at the same time getting ...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “That Awkward Moment”

  THAT AWKWARD MOMENT:  Watch It At Home – Low-Impact Rom-Com If you heard that a new indie movie featured the stars of the past 2 years’ back-to-back Sundance sensations, Michael B. Jordan from 2013’s F...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “R.I.P.D.”

  R.I.P.D.:  Not Even For Free – No Life After Death For This One Ryan Reynolds plays a dead man in the new R.I.P.D., and thus it makes sense that his character would be frustrated and depressed for much of its leng...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “Man of Steel”

  MAN OF STEEL:  Watch It At Home – Another Guy In a Cape “Kneel before Zod!” the villain of that name roared in what’s probably the best-remembered piece of dialogue from Superman 2.  That line ...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “The Guilt Trip”

  THE GUILT TRIP:  Watch It At Home – Maybe If the Ride Were Bumpier, It Would Be More Interesting The odd thing about THE GUILT TRIP is that it doesn’t especially cater either to fans of Barbra Streisand (w...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “American Hustle”

  AMERICAN HUSTLE:  Buy A Ticket – David O. Russell’s Epic Romp Is a Party That Goes On Till Dawn Even though it’s concerned with con men, low-lifes and deluded losers, AMERICAN HUSTLE is the happiest mo...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “G.I. Joe: Retaliation”

  G.I. JOE: RETALIATION:  Not Even For Free – Endlessly Dumb Exercise In Boom-Boom Action There’s a difference between making a movie for 11-year old boys and having a script that seems to have been written by...
by Mitch Salem
 
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Articles

SHOWBUZZDAILY MOVIE REVIEW: “Star Trek: Into Darkness”

  STAR TREK: INTO DARKNESS:  Worth A Ticket – Another Satisfying Trip On the Enterprise J.J. Abrams and his Bad Robot cohorts, writers Roberto Orci and Alex Kurtzman, did a bang-up job rejuvenating the Star Trek fra...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “The Purge”

  THE PURGE:  Watch It At Home – Dopey, Violent Allegory Nevertheless Packs a Punch THE PURGE is heavy-handed, borderline reprehensible nonsense–but that’s not to say it doesn’t work.  James DeMon...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Looper”

  LOOPER:  Worth A Ticket – Maybe Too Enthralling For Its Own Good   Rian Johnson’s most salient trait as a filmmaker may be a tendency to get carried away.  His first film, Brick, was a high school film...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Boyhood”

  Back when Stanley Kubrick still planned to direct the film that became AI: Artificial Intelligence, he famously toyed with the idea of shooting it bit by bit over a period of years, so that the young protagonist would l...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Stoker”

  STOKER is the kind of swank, elegant horror movie we don’t see very often in these days of unkillable chainsaw-wielding serial killers who make awful use of human remains.  It’s chilling, more than a little...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “Great Expectations”

At this point in movie history, it’s beside the point to ask why we even need a new film version of GREAT EXPECTATIONS when David Lean’s 1946 masterpiece still exists.  (And for those who want a different slant on ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Camp X-Ray”

  The Dramatic Competition at Sundance this year featured a pair of films that were largely built on duologues between two strong protagonists.  Attention was mostly–and properly–focused on Whiplash, which end...
by Mitch Salem
 
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