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Current Release

THE SHOWBUZZDAILY REVIEW: “The Guilt Trip”

  THE GUILT TRIP:  Watch It At Home – Maybe If the Ride Were Bumpier, It Would Be More Interesting The odd thing about THE GUILT TRIP is that it doesn’t especially cater either to fans of Barbra Streisand (w...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Taken 2”

  TAKEN 2:  Watch It At Home – “Particular Set of Skills” Indeed   As silly sequels to mindless hits go, TAKEN 2 is fairly entertaining, at least for a while.  The first movie, of course, was a sur...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Not Fade Away”

  NOT FADE AWAY:  Watch It At Home – The Tumultuous 1960s (Again) What do you do after you’ve created the seminal television drama of our time?  If you’re David Chase, it seems that you take a few years...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Song One”

  Kate Barker-Froyland’s directing debut SONG ONE is so wispy and insubstantial that the bytes making up its digital images seem barely capable of adhering to a screen.  Clearly influenced by John Carney’s m...
by Mitch Salem
 
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Film Festival

Sundance 2023 Reviews: “Flora & Son,” “A Little Prayer” & “The Pod Generation”

  FLORA AND SON (Apple):  John Carney’s Irish dramedy was (with Fair Play) the commercial bonanza of Sundance, reportedly with a $20M pricetag.  It isn’t hard to see why the studio and streamer checkbooks cam...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “A.C.O.D.”

  Stu Zicherman’s A.C.O.D. (written by Zicherman and Ben Karlin) suffers a bit from a familiar indie comedy malady:  the conflicting desires to tell meaningful and even dark stories, while at the same time getting ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “I Origins”

  The writer-director Mike Cahill has staked out a unique piece of narrative territory for himself.  In both Another Earth and his new I ORIGINS, which debuted at Sundance last week (and won the festival prize for best...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Alex Cross”

  ALEX CROSS – Not At Any Price – A Pilot For A Show You Wouldn’t Watch ALEX CROSS is as generic as a cop movie can be–it’s a few commercial breaks away from airing on CBS or TNT–but the...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “Turbo”

  TURBO:  Watch It At Home – Nothing Supercharged About the Script If the new DreamWorks Animation release TURBO proves anything, it’s that even for the competition, there’s a special mystique about the ...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “The Mortal Instruments: City of Bones”

  THE MORTAL INSTRUMENTS: CITY OF BONES –  Not Even For Free –  An Incoherent Compendium of YA Tropes THE MORTAL INSTRUMENTS: CITY OF BONES isn’t so much a movie as it is a mash-up.  They’re all ...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Identity Thief”

  IDENTITY THIEF:  Watch It At Home – Star Power Makes This Rote Comedy Look Better Than It Is IDENTITY THIEF is basically a string of contrivances, which makes it not all that different from most big-studio comedie...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “Writers”

  WRITERS is considered an “independent” movie because it was made without big-studio financing and because its stars (Greg Kinnear, Jennifer Connelly, Kristen Bell) are familiar faces, but not at the level th...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ TORONTO: “The Sapphires”

  With The Silver-Linings Playbook and now Wayne Blair’s THE SAPPHIRES, Harvey Weinstein may have the feel-good part of the coming awards season locked down.  This slight but charming true story (or at least R...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “Anchorman 2: The Legend Continues”

  ANCHORMAN 2: THE LEGEND CONTINUES:  Watch It At Home – Fun But Overextended Silliness ANCHORMAN 2:  THE LEGEND CONTINUES runs 119 minutes, which is rather too much of a not-bad thing (the original Anchorman, in 2...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Looper”

  LOOPER:  Worth A Ticket – Maybe Too Enthralling For Its Own Good   Rian Johnson’s most salient trait as a filmmaker may be a tendency to get carried away.  His first film, Brick, was a high school film...
by Mitch Salem
 
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