Posts Tagged ‘movie review’
 

 

SHOWBUZZDAILY Film Review: “The Wolf of Wall Street”

  THE WOLF OF WALL STREET:  Buy A Ticket – Scorsese’s Boisterous Epic of Bottomless Greed The key sequence in Martin Scorsese’s THE WOLF OF WALL STREET arrives about 2 hours into its 3-hour length.  (No...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Playing For Keeps”

  PLAYING FOR KEEPS:  Not At Any Price – All Penalty, No Kick Has any actor more thoroughly wasted his 15 minutes in the Hollywood spotlight than Gerard Butler?  Since he hit with 300 half a dozen years ago, heR...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY MOVIE REVIEW: “Pain and Gain”

  PAIN AND GAIN:  Watch It At Home – Michael Bay On a Small Scale is Still Michael Bay There’s an almost meta strain that runs through Michael Bay’s PAIN AND GAIN, and you have to wonder, watching it, ho...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “White House Down”

  WHITE HOUSE DOWN:  Worth A Ticket – Things Go “Boom”; We Go “Yay” WHITE HOUSE DOWN is wondrously stupid, so merrily, spectacularly idiotic that it washes the taste of Olympus Has Fallen and...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “The Sessions”

Oscar buzz has been trailing THE SESSIONS (which was then called The Surrogate) since it was unveiled at Sundance in January, and with good reason.  For Academy members, it doesn’t get much better than a warm “base...
by Mitch Salem
 

 
 

SHOWBUZZDAILY Film Review: “Need For Speed”

  NEED FOR SPEED:  Watch It At Home – Not Enough Fuel If there was ever a movie that didn’t need to be over 2 hours long, the relatively unpretentious NEED FOR SPEED was it.  Action movies these days too ofte...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “Seven Psychopaths”

  Few movies are as wholeheartedly dedicated to meta-ness as Martin McDonagh’s SEVEN PSYCHOPATHS.  The title of the movie is also the title of the script its main character Marty (Colin Farrell)–which, I belie...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “A Good Day To Die Hard”

  A GOOD DAY TO DIE HARD:  Not Even For Free – Yippee-Ki-Boo As part of its promotion campaign for the new A GOOD DAY TO DIE HARD, 20th Century Fox is holding a day-long series of Die Hard marathons around the count...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Broken City”

  BROKEN CITY:  Watch It At Home – Wahlberg and Crowe In An Intriguing But Too Simplistic Thriller Studios love nothing better than predictability, so since Mark Wahlberg had a tidy January hit last year with Contra...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ TORONTO: “End of Watch”

  David Ayer’s END OF WATCH brings a new wrinkle to the “found-footage” genre by using it in a cop movie.  LAPD Officer Brian Taylor (Jake Gyllenhaal) wires a camera to his uniform, and constantly photog...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “RED 2”

  RED 2:  Watch It At Home – Less Fizz in the Drink This Time The first RED was a disarming surprise, a rom-com action adventure about retired but very lethal spies as bubbly as it was explosive.  It made almost $2...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “Despicable Me 2”

  DESPICABLE ME 2:  Watch It At Home – Good-Hearted If Unexciting Sequel For the Kids Despicable Me was far from the most ambitious or striking animated feature of the last few years, but it was definitely cute.  I...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ TORONTO: “The Sapphires”

  With The Silver-Linings Playbook and now Wayne Blair’s THE SAPPHIRES, Harvey Weinstein may have the feel-good part of the coming awards season locked down.  This slight but charming true story (or at least R...
by Mitch Salem
 

 
 

SHOWBUZZDAILY’S TORONTO FILM FESTIVAL ROUND-UP

  This year’s Toronto International Film Festival had a very solid line-up, so much so that although the titles below are listed in rough order of preference, even the worst of them is of some interest, very possibly...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Streaming Film Review: “Palm Springs”

  The borders between “movies” and “television” were already beginning to buckle pre-pandemic, thanks to Netflix and the desire of studios to release their product on as many simultaneous platforms ...
by Mitch Salem