Posts Tagged ‘movie review’
 

 

SHOWBUZZDAILY FILM REVIEW: “2 Guns”

  2 GUNS:  Watch It At Home – Mindless Movie Action, The Old-Fashioned Way In this endless CG demo reel of a summer, the old-time, human-scaled mayhem of 2 GUNS is downright charming.  The idea of an action movie s...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “The Wolverine”

  THE WOLVERINE:  Watch It At Home – The Clawed Superhero’s Latest is Distinctive But Unthrilling THE WOLVERINE, wanting to be both more and less than a typical superhero spectacle, demonstrates the perils of ...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Side Effects”

  SIDE EFFECTS:  Watch It On TV – Soderbergh’s Final Big-Screen Film (For Now) Isn’t His Best Steven Soderbergh’s announcement that with SIDE EFFECTS, his career as a director of movies produced to...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Stoker”

  STOKER is the kind of swank, elegant horror movie we don’t see very often in these days of unkillable chainsaw-wielding serial killers who make awful use of human remains.  It’s chilling, more than a little...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “Fruitvale”

  There can’t be very much quibbling about the selection of Ryan Coogler’s very impressive debut film FRUITVALE as tonight’s winner of both the Sundance Dramatic Competition Jury Prize and the Audience ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Afternoon Delight”

  It takes quite a while–almost its entire length, in fact–for the utter conventionality of AFTERNOON DELIGHT to become clear.  Jill Soloway’s feature directing debut, for which she unaccountably won a S...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Series Pilot Review: “Inhumans”

  INHUMANS:  Friday 9PM on ABC (starting Sept 29) – Change the Channel In this world of Peak TV, it’s harder for a new series to break through the clutter than it’s ever been, and that thicket will be a ...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “The Bourne Legacy”

  THE BOURNE LEGACY:  Watch It At Home – Not Up To the Real Bournes THE BOURNE LEGACY has been concocted with a combination of ingenuity and desperation.  It exists because Universal–a studio dangerously ligh...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Playing For Keeps”

  PLAYING FOR KEEPS:  Not At Any Price – All Penalty, No Kick Has any actor more thoroughly wasted his 15 minutes in the Hollywood spotlight than Gerard Butler?  Since he hit with 300 half a dozen years ago, heR...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Oz the Great and Powerful”

  OZ THE GREAT AND POWERFUL:  Watch It At Home – Not All Yellow Brick Roads Are Golden The digital landscapes in Sam Raimi’s prequel OZ THE GREAT AND POWERFUL are gorgeous:  eye-poppingly colorful, and cramme...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Streaming Film Review: “Palm Springs”

  The borders between “movies” and “television” were already beginning to buckle pre-pandemic, thanks to Netflix and the desire of studios to release their product on as many simultaneous platforms ...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Parental Guidance”

  PARENTAL GUIDANCE – Not At Any Price – Stupefying “Family” Sitcom Too Little For the Big Screen This is said with all due respect to a pair of performers who have entertained millions for decades,...
by Mitch Salem
 

 

 

Sundance 2023 Reviews: “Flora & Son,” “A Little Prayer” & “The Pod Generation”

  FLORA AND SON (Apple):  John Carney’s Irish dramedy was (with Fair Play) the commercial bonanza of Sundance, reportedly with a $20M pricetag.  It isn’t hard to see why the studio and streamer checkbooks cam...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “This Is The End”

  THIS IS THE END:  Worth A Ticket – Apocalypse Right Now Imagine an dystopian mumblecore extravaganza populated mostly by the Judd Apatow stock company, and you’ll have an idea of what to expect from THIS IS ...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “Camp X-Ray”

  The Dramatic Competition at Sundance this year featured a pair of films that were largely built on duologues between two strong protagonists.  Attention was mostly–and properly–focused on Whiplash, which end...
by Mitch Salem