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SHOWBUZZDAILY SUNDANCE REVIEW: “Obvious Child”

  A surprisingly commercial concoction by Sundance standards, Gillian Robespierre’s OBVIOUS CHILD doesn’t feel very much unlike the pilot for a cable dramedy.  That’s not meant as any kind of dire crit...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Film Review: “Blended”

  BLENDED:  Not Even For Free – A Bad Sitcom Episode, 4 Times As Long On the Adam Sandler Movie Pain-o-Meter (patent pending), the new BLENDED ranks about midway between the not-so-bad Just Go With It and the soul-c...
by Mitch Salem
 
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THE SKED REVIEW: “Behind the Candelabra”

  We’re gradually discovering that Steven Soderbergh’s definition of “retirement” from filmmaking is a fairly narrow one.  It was recently announced that he plans to direct a new series for Cinemax...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “2 Guns”

  2 GUNS:  Watch It At Home – Mindless Movie Action, The Old-Fashioned Way In this endless CG demo reel of a summer, the old-time, human-scaled mayhem of 2 GUNS is downright charming.  The idea of an action movie s...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Not Fade Away”

  NOT FADE AWAY:  Watch It At Home – The Tumultuous 1960s (Again) What do you do after you’ve created the seminal television drama of our time?  If you’re David Chase, it seems that you take a few years...
by Mitch Salem
 
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SHOWBUZZDAILY RETROSPECTIVE REVIEW: Joel Schumacher’s “Batman Forever”

  As Alex in A Clockwork Orange would say, this is the real and like tragic part of the story beginning, O my brothers.  After Batman Returns undergrossed Batman by $90M in the US, Warners, you might say, freaked out.  A...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY Streaming Film Review: “Palm Springs”

  The borders between “movies” and “television” were already beginning to buckle pre-pandemic, thanks to Netflix and the desire of studios to release their product on as many simultaneous platforms ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Song One”

  Kate Barker-Froyland’s directing debut SONG ONE is so wispy and insubstantial that the bytes making up its digital images seem barely capable of adhering to a screen.  Clearly influenced by John Carney’s m...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY @ TORONTO: “End of Watch”

  David Ayer’s END OF WATCH brings a new wrinkle to the “found-footage” genre by using it in a cop movie.  LAPD Officer Brian Taylor (Jake Gyllenhaal) wires a camera to his uniform, and constantly photog...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Boyhood”

  Back when Stanley Kubrick still planned to direct the film that became AI: Artificial Intelligence, he famously toyed with the idea of shooting it bit by bit over a period of years, so that the young protagonist would l...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY FILM REVIEW: “Turbo”

  TURBO:  Watch It At Home – Nothing Supercharged About the Script If the new DreamWorks Animation release TURBO proves anything, it’s that even for the competition, there’s a special mystique about the ...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY @ SUNDANCE 2013: “Before Midnight”

  The “spoiler” situation with respect to Richard Linklater’s BEFORE MIDNIGHT is a particularly tricky one, because for those passionately invested in the saga that began with 1995’s Before Sunr...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “The Guilt Trip”

  THE GUILT TRIP:  Watch It At Home – Maybe If the Ride Were Bumpier, It Would Be More Interesting The odd thing about THE GUILT TRIP is that it doesn’t especially cater either to fans of Barbra Streisand (w...
by Mitch Salem
 
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Current Release

SHOWBUZZDAILY MOVIE REVIEW: “Iron Man 3”

  IRON MAN 3:  Watch It At Home – Offbeat But Uneven Tentpole The last thing on earth that Shane Black, the co-writer (with Drew Pearce) and director of IRON MAN THREE (the way the credits spell it) seems to have wa...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Promised Land”

  PROMISED LAND:  Watch It At Home – Promise, But No Fulfillment There’s an original idea located somewhere near (but not at) the heart of PROMISED LAND:  start with what would normally be an obvious storylin...
by Mitch Salem
 
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