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The Sked: Monday September 10 Ratings

NBC got The Voice off to a good start last night, a 4.1 preliminary Adult 18-49 rating from 8-10 pm.  The singing competition show started at a 3.2 in the 8:00 half hour, quickly building to a 3.9 at 8:30 and 4.6 at 9:00 bef...
by Mitch Metcalf
 
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The Sked: Tuesday September 11 Ratings

Score another nightly victory for NBC in its early roll-out.  The network averaged a 2.9 rating with Adults 18-49 from 8-11 pm last night, which got off to a solid start at 8 pm with night two of The Voice (3.9 rating for th...
by Mitch Metcalf
 
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Pilot + 1

THE SKED’S PILOT + 1 REVIEW: “The New Normal”

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have ha...
by Mitch Salem
 
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Articles

The Sked: Tuesday Ratings September 18

NBC’s solid early premiere week continued well last night, with a first-place 3.0 Adult 18-49 rating from 8-11 pm.  This matches last Tuesday’s nightly rating with The Voice up this week over last, while the scri...
by Mitch Metcalf
 
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Articles

THE SKED’S NIELSENWAR CHRONICLES: Tuesdays

  We’re continuing our week-long look at the hour-by-hour battles that will enliven the new network TV season.  Today it’s the turn of Tuesday, a night notable for its Invasion of the Sitcoms. 8PM:  THE VOICE...
by Mitch Salem
 
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The Sked: Tuesday Ratings September 25

Tuesday premiered on all four broadcast networks last night, with almost all schedules unveiled entirely intact.  CBS is in first place with a 3.3 preliminary Adult 18-49 rating from 8-11 pm, exactly on target according to our...
by Mitch Metcalf
 
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Articles

THE SKED: More NBC Pick-Ups

    The Peacock is clearly trying to get the jump on next week’s Upfronts with some early series orders.  The advantage of early announcements, even apart from the possibility that NBC will launch some of its n...
by Mitch Salem
 
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Articles

THE SKED’S NIELSENWAR: The First Back Orders

  NBC understandably wants to shout its early-season good tidings as loudly as possible, and to that end it’s given very quick back orders (9 additional episodes on top of the 13-episode initial order) to REVOLUTION,...
by Mitch Salem
 
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The Sked: FALL RATINGS PREDICTIONS — TUESDAY Night

Tuesdays this fall look like another win for CBS.  Last fall, FOX battled CBS to a draw on Tuesdays, partly because New Girl started at a smash-hit pace, then CBS moved ahead in the spring.  But with Glee moving off the n...
by Mitch Metcalf
 
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Articles

THE SKED’S TUESDAY NETWORK SCORECARD – 10/9/12

NBC thanks whatever it worships for The Voice.  (Note:  there were an unusually large number of 0.1 victories and ties last night, so bragging rights to various slots may shuffle when final numbers are released this afternoon...
by Mitch Salem
 
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THE SKED: NBC Fall Schedule and Instant Analysis

  There’s an old saying that you can’t plan for crazy.  And that brings us to some of NBC’s official Fall TV schedule:     Let’s take a look, night by night. MONDAY:  Things begin logica...
by Mitch Salem
 
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Articles

THE SKED’S TUESDAY NETWORK SCORECARD – 3/12/13

With the NCIS shows in reruns, only one series even reached a 2 last night. FOX:  The season premiere of KITCHEN NIGHTMARES was at 2.2, down a very reasonable 0.2 from last year and the highest-rated show on a slow night. ABC:...
by Mitch Salem
 
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Articles

Promo Watch NEW FALL SHOW PROMOTION — 666 Park Avenue and Nashville Jump to an Early Lead

Promo Watch begins and so far ABC’s 666 Park Avenue and Nashville stand out so far (thanks to a solid assist from the NBA). With the arrival of summer, it is time for the broadcast networks to get busy rolling out their m...
by Mitch Metcalf
 
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Articles

THE SKED: “Grimm” On Mondays Isn’t the “New Normal” Anymore

  Remember this morning when we were remarking on the confusing NBC promos last night that made it sound like GRIMM wouldn’t be airing again on Mondays, when it was scheduled for another Monday broadcast next week? ...
by Mitch Salem
 
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