Posts Tagged ‘spotlight’
 

 

UPDATED: SHOWBUZZDAILY’s Top 150 Wednesday Cable Originals & Network Finals: 9.16.2020

        NETWORK FINALS:  The ACM AWARDS gained 0.1 in final numbers, while the rerun of THE GOLDBERGS lost the same.         Broadcast Official Nationals Program Ratings Chart     CABL...
by Mitch Metcalf
 

 
 

THE SKED’S SUNDAY NETWORK SCORECARD – 12/9/12

Not so Amazing. CBS:  The cycle finale of THE AMAZING RACE tied its all-time finale low at 2.6, down more than a ratings point from last fall’s finale.  Instead of Race boosting THE MENTALIST at 10PM, that show was down...
by Mitch Salem
 

 

 

UPDATED: SHOWBUZZDAILY’s Top 150 Wednesday Cable Originals & Network Finals: 5.30.2018

        NETWORK FINALS:  There were no adjustments from Wednesday’s preliminary ratings.         Broadcast Official Nationals Program Ratings Chart   CABLE HIGHLIGHTS:  The serie...
by Mitch Metcalf
 

 
 

SHOWBUZZDAILY MONDAY NETWORK SCORECARD – 8.10.2015

  THE WHISPERS are getting harder to hear. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audienc...
by Mitch Metcalf
 

 

 

SKEDBALL: Weekend Sports TV Ratings 12.19-20.2015

The ratings below are household ratings from the 56 television markets with local Nielsen meters for Saturday December 19 and Sunday December 20, 2015. The 56 markets (out of 210 total) cover about 70% of the US television popu...
by Mitch Metcalf
 

 
 

SHOWBUZZDAILY Season Finale Review: “Succession”

  In its second season, HBO’s SUCCESSION found an exquisite middle ground between Dallas and Shakespeare.  The show is still a somewhat rareified taste–it’s routinely been the lowest-rated show in the ne...
by Mitch Salem
 

 

 

The Sked: TUESDAY Ratings

Tuesday fast national ratings with relevant comparisons:
by Mitch Metcalf
 

 
 

Behind the US/Worldwide Weekend Box Office – 6.30.2019

  OPENINGS:  ANNABELLE COMES HOME (New Line/Warners) had a $20.3M weekend, but it had opened on Wednesday, so its 5-day total was $31.2M.  Even so, its 5 days were lower than the 3-day weekends for Annabelle ($37.1M) and...
by Mitch Salem
 

 

 

The Sked: Saturday Ratings 1.21.2017

DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ s...
by Mitch Metcalf
 

 
 

SKEDBALL: Weekly Sports TV Ratings 3.27-4.2.2023

Here are the full week sports ratings for Monday March 27 through Sunday April 2, 2023. Eligible programs include sporting events on broadcast and cable networks (minimum audience size 100K Persons 2+ live+same day). Programs a...
by Mitch Metcalf
 

 

 

SKEDBALL: Weekly Sports TV Ratings 7.5-7.11.2021

Here are the full week sports ratings for Monday July 5 through Sunday July 11, 2021.  Eligible programs include sporting events on broadcast and cable networks (minimum audience size 200K Persons 2+ live+same day).  Programs...
by Mitch Metcalf
 

 
 

Behind the US/Worldwide Weekend Box Office – 12.10.2023

  OPENINGS:  Hiyao Miyazaki’s THE BOY AND THE HERON (GKids) exceeded expectations and set a high-water mark for its filmmaker and for non-franchise Japanese animation with a $12.8M launch.  The film will lose its I...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDAY NETWORK SCORECARD – 3.29.2015

  Viewers were evidently watching THE WALKING DEAD instead of network television last night. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographi...
by Mitch Metcalf
 

 
 

SHOWBUZZDAILY Season Premiere Review: “Halt and Catch Fire”

  HALT AND CATCH FIRE:  Tuesday 10PM on AMC HALT AND CATCH FIRE is AMC’s charity project; every episode could bear a credit saying “This series is brought to you thanks to the generosity of The Walking Dead.&#...
by Mitch Salem
 

 

 

SHOWBUZZDAILY Toronto Film Festival Reviews: “Darkest Hour” & “Mudbound”

  DARKEST HOUR (Focus/Universal – Nov. 22):  A shameless piece of rabble-rousing Hollywood biography, directed by Joe Wright and written by Anthony McCarten, and served hot on a platter to Oscar voters.  The subjec...
by Mitch Salem