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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Whiplash”

  Damien Chazelle’s powerhouse WHIPLASH is about the pursuit of not just excellence, but perfection, and on its own deliberately limited terms it doesn’t land far from that mark.  Whiplash won both the Grand J...
by Mitch Salem
 
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Articles

SKEDBALL: Weekend Sports TV Ratings

The ratings below are household ratings from the 56 television markets with local Nielsen meters for Saturday January 25 and Sunday January 26, 2014. The 56 markets (out of 210 total) cover about 70% of the US television popula...
by Mitch Metcalf
 
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Articles

THE SKED NETWORK SCORECARD – 1/26/14

  The Grammy Awards had no trouble singing its song last night. CBS:  THE GRAMMY AWARDS were down slightly (0.2) from last year to 9.9 in adjusted numbers, probably because the show ran so far past primetime to an Oscar-level...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Boyhood”

  Back when Stanley Kubrick still planned to direct the film that became AI: Artificial Intelligence, he famously toyed with the idea of shooting it bit by bit over a period of years, so that the young protagonist would l...
by Mitch Salem
 
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Articles

2013 International Box Office through January 26

International box office for 2013 releases through January 26, 2014.  Frozen has edged past The Hobbit: The Desolation of Smaug in the yearly worldwide rankings, and down around the #40 position, American Hustle and The ...
by Mitch Metcalf
 
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Articles

Year to Date Box Office & Worldwide Studio Scorecard

As we continue to tally the films released wide in 2013, Disney has pulled to within $1 million of Warner Brothers in worldwide box office for the year (out of over $9 billion between the rival studios).  Disney continues to b...
by Mitch Metcalf
 
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Articles

Weekend Studio Estimates JANUARY 24-26

Based on Friday’s and Saturday’s grosses, weekend #4 of 2014 now looks like $97 million for the top 12 films Friday-Sunday, a little better than yesterday’s estimate ($94 million) and now 4% below the average ...
by Mitch Metcalf
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “I Origins”

  The writer-director Mike Cahill has staked out a unique piece of narrative territory for himself.  In both Another Earth and his new I ORIGINS, which debuted at Sundance last week (and won the festival prize for best...
by Mitch Salem
 
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Articles

OSCARLAND: Directors Guild Puts “Gravity” Into Orbit

  The Directors Guild of America tonight gave its prize for best film direction to Alfonso Cuaron and GRAVITY. This was not an unexpected result, but it solidifies the sense that this year we have what is (at least) a thr...
by Mitch Salem
 
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Pilot Reports

THE SKED Series Premiere Review: “Black Sails”

  BLACK SAILS:  Saturday 9PM on Starz – Worth A Look The pirate action-adventure BLACK SAILS is Starz’s latest attempt to swing for the fences with ambitious original programming and finally be taken as seriou...
by Mitch Salem
 
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Articles

FRIDAY JANUARY 24 Box Office Report

Based on Friday’s grosses, weekend #4 of 2014 looks like $94 million for the top 12 films Friday-Sunday, within a few percentage points of comparable weekends the past few years. Opening at 2,753 theaters Friday, I, Fran...
by Mitch Metcalf
 
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Articles

The Sked: THURSDAY Ratings

Thursday fast nationals ratings:
by Mitch Metcalf
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Low Down”

  No one can accuse LOW DOWN of attempting to glamorize the true story it tells.  Jeff Preiss’s first film as a director is a slow, grim dirge set in an underbelly of the jazz world in 1970s Los Angeles, and it...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Song One”

  Kate Barker-Froyland’s directing debut SONG ONE is so wispy and insubstantial that the bytes making up its digital images seem barely capable of adhering to a screen.  Clearly influenced by John Carney’s m...
by Mitch Salem
 
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Film Festival

SHOWBUZZDAILY SUNDANCE REVIEW: “Obvious Child”

  A surprisingly commercial concoction by Sundance standards, Gillian Robespierre’s OBVIOUS CHILD doesn’t feel very much unlike the pilot for a cable dramedy.  That’s not meant as any kind of dire crit...
by Mitch Salem
 
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