Posts Tagged ‘spotlight’
 

 

UPDATED: THE SKED CABLE/NETWORK SCORECARD – 1/29/14

  AFTERNOON UPDATE:  Both CW shows edged up 0.1 in final numbers, giving ARROW a 1.1 and THE TOMORROW PEOPLE a healthy (for it) 0.7.  SVU also climbed 0.1 to 2.0, the first time it’s hit that mark in a while. WEDNESDAY...
by Mitch Salem
 

 
 

OSCARLAND: “Alone Yet Not Alone” Now Really Alone

  The Oscars are not the Golden Globes.  That appears to be the underlying message of today’s action by the Academy of Motion Picture Arts & Sciences, revoking the Best Original Song nomination of “Alone Y...
by Mitch Salem
 

 

 

THE SKED: “Bones” Rattles to Season 10; “Almost Human” Isn’t Quite

  FOX has announced the Season 10 renewal of BONES, which isn’t a major surprise, considering that the show has been a reliable performer for the network wherever it’s been scheduled–most recently in the ...
by Mitch Salem
 

 
 

Weekend Box Office Predictions JAN 31-FEB 2

Weekend #5 of 2014 is looking like $74 million for the top 12 films, a significant 17% below the average for this challenging weekend the past few years.  Super Bowl weekend is always a tough one, with the distraction of the ...
by Mitch Metcalf
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “Camp X-Ray”

  The Dramatic Competition at Sundance this year featured a pair of films that were largely built on duologues between two strong protagonists.  Attention was mostly–and properly–focused on Whiplash, which end...
by Mitch Salem
 

 
 

THE SKED NETWORK SCORECARD – 1/28/14

  Not much to say about a night mostly occupied by the State of the Union Address. CW:  As the only network TV series airing against coverage of the President’s speech, SUPERNATURAL got a 0.1 boost to 1.2, even with...
by Mitch Salem
 

 

 

The Sked: TUESDAY Ratings

Tuesday fast national ratings with relevant comparisons:
by Mitch Metcalf
 

 
 

THE SKED: “Sean” Leaves the World Unsaved

  NBC has pulled the plug on SEAN SAVES THE WORLD, its misbegotten Sean Hayes vehicle.  The series has aired 12 of its 14 completed episodes (a total of 18 had been ordered), and it’s not yet clear what will be repl...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “They Came Together”

  The writing team of David Wain and Michael Showalter (Wain directs) certainly knew that THEY CAME TOGETHER would be far from the first parody of romantic comedy movies to come along.  Date Movie opened back in 2008, Fri...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDANCE REVIEW: “Wish I Was Here”

  Zach Braff’s WISH I WAS HERE, his first film as a writer-director since Garden State 10 years ago, mixes genuine, deeply-felt emotion with the kind of contrivances that would grate even on a second-rate sitcom.  (...
by Mitch Salem
 

 

 

THE SKED NETWORK SCORECARD – 1/27/14

  Viewers really wanted to see the Mother‘s side of the story. CBS:  The 200th episode of HOW I MET YOUR MOTHER, told from the Mother character’s point of view, leaped 0.7 to a season high 3.8, and seemed to perk ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY 2014 Sundance Film Festival Capsule Reviews

  The consensus is that the 2014 Sundance Film Festival was a solid but unexciting one.  To an extent that’s a business judgment: whatever its leaders may say publicly, Sundance gave itself up long ago to being as m...
by Mitch Salem
 

 

 

SHOWBUZZDAILY SUNDANCE REVIEW: “Whiplash”

  Damien Chazelle’s powerhouse WHIPLASH is about the pursuit of not just excellence, but perfection, and on its own deliberately limited terms it doesn’t land far from that mark.  Whiplash won both the Grand J...
by Mitch Salem
 

 
 

SKEDBALL: Weekend Sports TV Ratings

The ratings below are household ratings from the 56 television markets with local Nielsen meters for Saturday January 25 and Sunday January 26, 2014. The 56 markets (out of 210 total) cover about 70% of the US television popula...
by Mitch Metcalf
 

 

 

THE SKED NETWORK SCORECARD – 1/26/14

  The Grammy Awards had no trouble singing its song last night. CBS:  THE GRAMMY AWARDS were down slightly (0.2) from last year to 9.9 in adjusted numbers, probably because the show ran so far past primetime to an Oscar-level...
by Mitch Salem