Posts Tagged ‘spotlight’
 

 

THE SKED NETWORK SCORECARD – 12/15/13

  On a night dotted with football (adjusted up below to anticipated final numbers), it didn’t pay to be the odd network out. ABC:  The fall finale of ONCE UPON A TIME didn’t go the way ABC had hoped, dropping 0.2 ...
by Mitch Salem
 

 
 

THE SKED Season Finale Review: “Homeland”

  After three seasons on the air, it seems fair to say that–paraphrasing Star Wars—Homeland isn’t the show we were looking for.  That doesn’t make it a bad series, or an unentertaining one.  But i...
by Mitch Salem
 

 

 

THE SKED Season Finale Review: “Masters of Sex”

  Michelle Ashford’s series MASTERS OF SEX has been the extraordinary surprise of the fall television season.  It seemed, on its face, to be dauntingly unpromising.  In telling the story of sex researchers William ...
by Mitch Salem
 

 
 

THE SKED Fall Finale Review: “Once Upon A Time”

  It seems that for many viewers, ONCE UPON A TIME has become too conceptual for its own good.  The ratings, so robust just 2 seasons ago, have continued to sink (down another full ratings point this season), and while On...
by Mitch Salem
 

 

 

THE SKED Fall Finale Review: “Revenge”

  Improved isn’t the same as good, and the first half of REVENGE‘s third season has languished in the gulf between those two.  Under new showrunner Sunil Nayar (who replaced series creator Mike Kelley), Reveng...
by Mitch Salem
 

 
 

THE SKED Season Finale Review: “Witches of East End”

  In this new era of serialized television drama, plot–and the skill with which it’s doled out–is more important than ever.  An overall clumsiness with the handling of its storylines is what’s held...
by Mitch Salem
 

 

 

International Box Office through December 15

Updated worldwide box office chart for 2013 North American films.  Also, click here for a summary of worldwide performance by studio.
by Mitch Metcalf
 

 
 

Year to Date Box Office & Worldwide Studio Scorecard

Warner Brothers is back on top of Disney, thanks to the second Hobbit film.  For a complete ranking of 2013 films individually by worldwide performance click here. TOTAL NORTH AMERICAN BOX OFFICE. Looking at wide-release fil...
by Mitch Metcalf
 

 

 

BEHIND THE WEEKEND BOX OFFICE – 12/15/13

  OPENINGS:  THE HOBBIT: THE DESOLATION OF SMAUG (Warners/MGM) had a better Saturday hold than last year’s An Unexpected Journey (-22% vs. -25%), suggesting that positive word of mouth is kicking in, and no doubt ea...
by Mitch Salem
 

 
 

Weekend Studio Estimates DECEMBER 13-15

Based on Friday’s  and Saturday’s grosses, Weekend #50 of 2013 looks like $139 million for the top 12 films from Friday-Sunday, not as strong as we had forecast and down $5 million from yesterday’s estimate b...
by Mitch Metcalf
 

 

 

THE SKED Review: “Saturday Night Live” with John Goodman

  The most inventive part of tonight’s SATURDAY NIGHT LIVE really wasn’t, because it was almost certainly unintentional.  Nevertheless, it was sort of brilliant, in a “found art” sort of way.  Soo...
by Mitch Salem
 

 
 

BEHIND THE FRIDAY BOX OFFICE – 12/13/13

  Well, bah humbug. OPENINGS:  Start the spin machine:  THE HOBBIT: THE DESOLATION OF SMAUG (Warners/MGM) has opened with $31.1M, $6M below the start for last year’s An Unexpected Journey.  That’s more than ...
by Mitch Salem
 

 

 

THE SKED FRIDAY NETWORK SCORECARD

  Embattled ABC fared the best on a slow night. ABC:  LAST MAN STANDING was down 0.2 from last week to 1.2, but things improved after that, as THE NEIGHBORS held at 0.9, SHARK TANK was easily the highest rated show of the...
by Mitch Salem
 

 
 

FRIDAY DECEMBER 13 Box Office Report

Based on Friday’s grosses, Weekend #50 of 2013 looks like $144 million for the top 12 films from Friday-Sunday, not as strong as we had forecast but still up double digits in terms of percent increase over comparable week...
by Mitch Metcalf
 

 

 

THE SKED Season Finale Review: “Haven”

  Season 4 of HAVEN was its most ambitious by far.  Under showrunners Matt McGuinness and Gabrielle Stanton, the series delved into its own mythology more deeply than it ever has before, moving past its initial rote Troub...
by Mitch Salem