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Film Festival

TORONTO FILM FESTIVAL REVIEW: “August: Osage County”

  The writer/producer/director John Wells made his reputation as the showrunner of ER, and he’s known as one of the most consistent, professional producers in the network business, with impeccable shows like The Wes...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Tracks”

  There’s no cutesiness to be found in John Curran’s film TRACKS, a bracingly non-Disneyfied true-life nature tale.  In the mid-1970s, a young Australian woman named Robyn Davidson decided to walk across almo...
by Mitch Salem
 
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Articles

Weekend Box Office Predictions SEPTEMBER 13-15

The 37th weekend of the year is looking like $81 million for the top 12 films, very close to the multi-year average for this weekend. Opening at around 2,900 theaters Friday (just above the 2,886 average theater count for open...
by Mitch Metcalf
 
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Articles

The Sked: TUESDAY Ratings

Tuesday ratings last night, last year and last week.  President Obama’s address on Syria interrupted network schedules to varying degrees at 9 pm ET last night, with NBC sliding America’s Got Talent a little over 1...
by Mitch Metcalf
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Third Person”

  There is a reason, or at least an argument, for why almost everything in Paul Haggis’s THIRD PERSON feels synthetic and contrived–but I can’t make it here, because doing so would expose the film’...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “You Are Here”

  If there were no credits on the new comedy-drama YOU ARE HERE, it would almost be inconceivable that an audience member would imagine it coming from the typewriter of Matthew Weiner, the creator of Mad Men.  It’...
by Mitch Salem
 
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Articles

Tope Cable and Broadcast Shows of the Week

Top broadcast and cable programs of the week:
by Mitch Metcalf
 
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Articles

The Sked: MONDAY Ratings Chart

Monday ratings last night, last year and last week: NBC debuted Million Second Quiz to a 1.7 adult 18-49 rating last night, close to what American Ninja Warrior had been doing in the hour the past few weeks.  The show declined...
by Mitch Metcalf
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “The Disappearance of Eleanor Rigby: Him and Her”

  THE DISAPPEARANCE OF ELEANOR RIGBY: HIM & HER is an extraordinary feature debut for its writer/director Ned Benson.  Indeed, it’s so remarkable that it comes close to not needing the modifier “debutR...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Dallas Buyers Club”

  DALLAS BUYERS CLUB is more Erin Brockovich than Brian’s Song, and that’s why it works so well.  Jean-Marc Vallee’s film, written by Craig Borten and Melisa Walack, is too angry to be sentimental. �...
by Mitch Salem
 
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Awards

Weekly Network Ratings & Summer to Date Standings

Projected weekly network ratings in prime time (based on four days of official nationals and three days of fast nationals).   The return of the NFL regular season pushed NBC to the top of the heap (with not one but two prime ...
by Mitch Metcalf
 
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Articles

SKEDBALL: Weekend Sports TV Ratings

The ratings below are household ratings from the 56 television markets with local Nielsen meters for Saturday September 7 and Sunday September 8, 2013. (The 56 markets out of 210 total cover about 70% of the US television pop...
by Mitch Metcalf
 
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Articles

The Sked: SUNDAY Ratings Chart

Sunday ratings last night, last year and last week.  In the table below, live sports programming (the entire evening on NC and the 7 pm hours on CBS and FOX) has been adjusted to our estimates of the eventual official national...
by Mitch Metcalf
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Can A Song Save Your Life?”

  Less intimate but perhaps even more irresistible than his micro-indie smash Once, John Carney’s follow-up CAN A SONG SAVE YOUR LIFE? plays a similar tune with broader orchestrations.  The city this time is New ...
by Mitch Salem
 
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Current Release

TORONTO FILM FESTIVAL REVIEW: “Rush”

  The writer Peter Morgan is a whiz at boring into little-remembered (and in the US, sometimes little-known) crannies of recent history and scooping out the rich drama inside, with scripts like The Deal, Frost/Nixon and Th...
by Mitch Salem
 
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