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TORONTO FILM FESTIVAL REVIEW: “Gravity”

  It’s not really a surprise to see Alfonso Cuaron join James Cameron, Martin Scorsese and Ridley Scott in that small group of film artists who have made 3D part of the essential toolbox of their imagery (no, Baz Luh...
by Mitch Salem
 
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Articles

Year to Date Box Office & Worldwide Studio Scorecard

STUDIO SCORECARD. In the worldwide studio rankings for 2013 to date, Warner Brothers has moved back ahead of Universal in a very tight race for second place. Reminder: the chart below has been reformatted and expanded to includ...
by Mitch Metcalf
 
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Articles

International Box Office Report through September 8

Updated international box office chart:  
by Mitch Metcalf
 
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Articles

Weekend Studio Estimates SEPTEMBER 6-8

Based on Friday’s and Saturday’s grosses, Weekend #36 of 2013 now looks like $67 million for the top 12 films, a few million dollars better than yesterday’s estimate and now up slightly from the average post-...
by Mitch Metcalf
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Labor Day”

  LABOR DAY is a beautifully performed, well crafted Harlequin romance.  As such, it’s a shock coming from writer/director Jason Reitman (based on Joyce Maynard’s novel), one that goes in a completely differen...
by Mitch Salem
 
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Articles

FRIDAY SEPTEMBER 6 Box Office Report

Based on Friday’s grosses, Weekend #36 of 2013 looks like a very average $62 million for the top 12 films, down 5% from the average post-Labor Day weekends the past few years. Riddick and The Butler did not hit our more a...
by Mitch Metcalf
 
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Articles

Top Cable and Broadcast Shows of the Week (through Thursday)

The weekly rankings so far (through Thursday) for cable and broadcast programs.  In the official nationals, Thursday’s NFL season kickoff game (Baltimore at Denver) came in at a 10.3 rating with adults 18-49, the #1 show...
by Mitch Metcalf
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “The Past”

  Like his Oscar-winning A Separation, Asghar Farhadi’s THE PAST is concerned with the abyss of uncertainty and mystery that lies under seemingly straightforward actions, the ever-increasing complications that bec...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “Hateship Loveship”

  Earnest and low-key to a fault, Liza Johnson’s HATESHIP LOVESHIP might have felt more at home in the Narrative Competition at Sundance than in Toronto.  It has a dramatic recessiveness, almost a passivity, for m...
by Mitch Salem
 
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Current Release

TORONTO FILM FESTIVAL REVIEW: “Prisoners”

  The prevailing atmosphere in Denis Villenueve’s PRISONERS will be familiar to anyone who’s been watching cable TV drama for the past few years.  Gloom, grief, hopelessness, helpless rage–it’s h...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “12 Years A Slave”

  Steve McQueen (the filmmaker) doesn’t take it easy on audiences.  His first feature Hunger provided an excruciatingly detailed look at the fatal hunger strike of the Irish convict Bobby Sands, and he followed it w...
by Mitch Salem
 
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Articles

The Sked: THURSDAY Ratings Chart — Huge Start for the NFL

Thursday ratings for last night, last week and last year (using Wednesday from the same week last year as the relevant comparison, the night to which the NFL premiere game was relocated by the Democratic National Convention)....
by Mitch Metcalf
 
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The Sked: WEDNESDAY Rating Chart

Wednesday ratings last night and last week, with a comparision to Thursday the same week last year (because the similar Wednesday last year had the NFL kick-off game, which was displaced by coverage of President Obama’s a...
by Mitch Metcalf
 
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Articles

Weekend Box Office Predictions SEPTEMBER 6-8

The 36th weekend of the year (usually the lowest-grossing weekend of the year) is looking like $73 million for the top 12 films, actually above the four-year average for this weekend ($65 million) and way above last yearR...
by Mitch Metcalf
 
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Articles

Top Cable and Broadcast Programs of the Week

Top programs of the week on cable and broadcast networks:  
by Mitch Metcalf
 
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