Articles

EARLY FRIDAY BOX OFFICE: “Solo” Fades, “Adrift” Becalmed, “Upgrade” OK, “Action Point” Splatters

Posted June 2, 2018 by Mitch Salem

  There’s usually a box office hangover after a holiday weekend opening, but the Friday-to-Friday drop for SOLO (Lucasfilm/Disney) was particularly sour, down 77% to $8M in preliminary numbers at Deadline, compared to the 73% for last year’s Pirates of the Caribbean V, and 74% for X-Men: Days of Future Past.  In fact, it was […]

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EARLY FRIDAY BOX OFFICE: “Us” Huge, “Captain Marvel” Drops, “Gloria Bell” Expands

Posted March 23, 2019 by Mitch Salem

  The enduring respect and admiration for Get Out, and its own enthusiastic reviews, are pushing Jordan Peele’s US (Blumhouse/Perfect World/Universal) way past expectations.  According to preliminary numbers at Deadline, opening day was $28.6M (including $7.4M from Thursday night), which means that in one day, Us has already earned more than 85% of Get Out‘s […]

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Behind the US/Worldwide Weekend Box Office: “War Room” Conquers “Compton”

Posted September 6, 2015 by Mitch Salem

  Note:  Because of the holiday weekend and consequent strong Sunday, weekend-to-weekend drops will look softer than usual. OPENINGS:  It was a weak battle of newcomers, with A WALK IN THE WOODS (Broad Green) ahead at $8.4M ($10.5M with Wed-Thurs earnings) vs. THE TRANSPORTER REFUELED (Europa/RED) at $7.1M.  Walk compares well to the $8.5M opening […]

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EARLY FRIDAY BOX OFFICE: “The Boss” Is Kryptonite to “BvS,” “Hardcore Henry” & “Demolition” Implode

Posted April 9, 2016 by Mitch Salem

  How much more humiliating can things get for Warners?  On Friday, according to preliminary numbers at Deadline, THE BOSS (Universal), which isn’t even a high-performing Melissa McCarthy vehicle, beat up both the studio’s superheroes with about $7.5M.  The Boss will likely have trouble sustaining itself over the weekend, but at about $20M+, it will […]

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EARLY FRIDAY BOX OFFICE: “Accountant” Adds Up Weekend Win, “What Now” Starts OK

Posted October 15, 2016 by Mitch Salem

  It’s a deja vu weekend, as THE ACCOUNTANT (RatPac/Warners) had a $9M opening day (including $1.35M from Thursday night), according to preliminary numbers at Deadline, almost identical to last Friday’s $9.3M for The Girl On The Train (including $1.23M from Thursday night), another adult-aimed thriller with a production budget in the $40M range and […]

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EARLY FRIDAY BOX OFFICE: “Fate” Slows But Outraces “Unforgettable,” “The Promise,” and the Rest

Posted April 22, 2017 by Mitch Salem

  Considering the almost laughably low level of the competition it faced, THE FATE OF THE FURIOUS (Universal) didn’t hold up well on its 2d Friday.  Preliminary numbers at Deadline have the day at $11.4M, down 75% from last week’s opening day.  That’s worse than the 72% Friday-to-Friday drop for Furious 7 (which was coming […]

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EARLY FRIDAY BOX OFFICE: “Coco” Stays On Top, “Wonder” Solid, “3 Billboards” & “Lady Bird” Expand

Posted December 2, 2017 by Mitch Salem

  There were no new wide releases on this pre-holiday, pre-Last Jedi weekend, so all the action was in holdovers and limited releases.  According to preliminary numbers at Deadline, COCO (Pixar/Disney) easily retained its crown with a $6.3M Friday.  That was down 67% from last week’s holiday Friday, better than the drops for Moana (70%) […]

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EARLY FRIDAY BOX OFFICE: “Crazy Rich Asians” Romps, “Happytime Murders” Sad, “Papillon” Behind Bars

Posted August 25, 2018 by Mitch Salem

  The lack of strong new competition is certainly helping, as is the Wednesday opening that kept last Friday down a bit, but nevertheless, the Weekend 2 hold for CRAZY RICH ASIANS (SK Global/Warners) is on track to be extraordinary.  Preliminary numbers at Deadline have a 4% Friday-to-Friday drop to $7M, which would give it […]

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