KONG: SKULL ISLAND (Legendary/Tencent/Warners) had a $20M opening day according to preliminary numbers at Deadline (that’s at the high end of numbers reported elsewhere earlier in the day), including $3.7M from Thursday night. Even if that number holds, it’s little more than half the $38.4M opening day for Godzilla 3 years ago. Godzilla had […]
Veterans Day isn’t considered one of the major Hollywood holidays, but this year it provided some 3-day weekends that boosted Friday numbers (although that may catch up with some totals over the weekend and when next week is compared to it). The other note for the weekend is that all three of the major […]
This was never going to be much of a box office weekend, and the east coast snowstorms certainly won’t help. According to preliminary numbers at Deadline, all 3 of the newcomers are closely packed with $3.5-4M Fridays and probable $9.5-11M weekends, so word of mouth could put any of them ahead. The early leader, […]
The lack of strong new competition is certainly helping, as is the Wednesday opening that kept last Friday down a bit, but nevertheless, the Weekend 2 hold for CRAZY RICH ASIANS (SK Global/Warners) is on track to be extraordinary. Preliminary numbers at Deadline have a 4% Friday-to-Friday drop to $7M, which would give it […]
The marketing department did its job, and BATMAN V SUPERMAN: DAWN OF JUSTICE (DC/RatPac/Warners) had its massive opening day, currently estimated by Deadline at $81.3M (including $27.7M from Thursday night). If that number holds till morning, it will be the #5 opening day ever, behind only Star Wars: The Force Awakens, Harry Potter & […]
With Melissa McCarthy as solo lead, SPY (20th) isn’t opening at quite the level as The Heat, which featured a McCarthy/Sandra Bullock combo, as preliminary numbers at Deadline show a $10.6M opening day (including $1.5M from Thursday) compared to Heat‘s $13.7M. Still, that puts Spy in line to win the weekend with around $32M […]
OPENINGS: INDEPENDENCE DAY: RESURGENCE (20th) is the latest indication that audiences may be tiring of massive CG spectacles–which is bad news for the major studios, since they’ve concentrated most of their line-ups into that genre. ID:R‘s $41.6M weekend is mediocre at best for a would-be blockbuster with $300M+ in worldwide costs, suggesting a US […]
HAPPY DEATH DAY (Blumhouse/Universal) continued a remarkable year for Blumhouse, following the giant successes of Split and Get Out. Deadline has its Friday at a preliminary $11.3M (including $1M from Thursday night), and its 68% Rotten Tomatoes score is comparable to Split‘s 74%. That film had a 2.7x weekend multiple, and even if Happy […]