> The last 2 weeks of the year will almost certainly bring better news for Hollywood, for reasons of tonnage alone:  there are 6 wide openings to come next week, compared to only 3 in the final weeks of 2010.  But for now, the stocking-stuffer of choice is coal. SHERLOCK HOLMES:  GAME OF SHADOWS (Warners):  […]

  What was that about Adam Sandler having career trouble? OPENINGS:  Sony‘s decision to open HOTEL TRANSYLVANIA a week before Disney’s Frankenweenie turned out to be a brilliant move, as Hotel is on track for the biggest September opening in history, close to $40M, not to mention Sony’s biggest animation hit ever.  And just to add whipped […]

  There’s so much product in the marketplace right now that overall numbers for the summer movie season seem fairly robust–but looked at title by title, we see two blockbusters (Iron Man 3 and Fast & Furious 6) and then a lot of films that will be happy to hit breakeven. OPENINGS:  Expectations were low […]

  OPENINGS:  Kevin Hart has been hanging around the edges of being a movie star for a few years now, and RIDE ALONG (Universal) makes it official.  With a $14.5M Friday start, it could challenge Cloverfield for the Martin Luther King weekend title, currently at $46.1M.  For Universal, this is the start of a nicely […]

  OPENINGS:  THE EQUALIZER (Columbia/Sony) was just a tad below the opening day for Denzel Washington’s Safe House, $12.6M vs. $13.6M.  That suggests a $36-37M weekend, which would be the 3rd highest of his career, behind only Safe House and American Gangster.  More impressively, it continues a remarkable record in which every movie he’s made […]

This is a well-designed weekend for Hollywood, with a trio of sensibly-budgeted franchise titles all drawing audiences from their mostly separate target demos.  The Friday winner, according to preliminary numbers at Deadline, was FIFTY SHADES DARKER (Universal), with $20M ($5.7M of it from Thursday night).  That’s about 2/3 of the $30.3M opening day for Fifty […]

  BLADE RUNNER 2049 (Alcon/Sony/Warners) was a high-risk bet, with roughly $300M in production and worldwide marketing wagered on an extremely serious 164-minute sequel to a 35-year old film that only became legendary after it was itself a sizable flop in theatres.  Reportedly, the bulk of that investment rested with Alcon, while Sony (international) and […]

  By superhero movie standards, SHAZAM (DC/New Line/Warners) was moderately priced, with around $225M in production/marketing costs.  Preliminary numbers at Deadline put its opening day at $20M (including $5.9M from Thursday), and although that’s a cut below comic book blockbusters like Captain Marvel ($61.7M), Spider-Man: Homecoming ($50.8M) or Wonder Woman ($38.2M), it’s solidly in line with […]