The box office typically dives on Thanksgiving Day when audiences (especially families) are otherwise occupied, then jumps back on Black Friday, and such was the case again this year. According to preliminary numbers at Deadline, THE HUNGER GAMES: MOCKINGJAY PART 2 (Lionsgate) was comfortably #1 for the day while continuing to run behind the […]
For the 8 days December 16-23, the top 10 films each day in North America have totaled $392 million, -16% below last year’s record pace, but a robust +66% above the average since 2002. The arrival of Star Wars into the holiday period (The Force Awakens in 2015 and Rogue One: A Star Wars Story this year) has taken this important […]
OPENINGS: THE LIGHT BETWEEN OCEANS (DreamWorks/Reliance/Participant/Disney) brings to an ignominious end the distribution relationship between DreamWorks and Disney. Their final shared title disappointed on every level, with a $5M 3-day weekend that might become $6M on Monday, and no chance of recouping its costs. Even though the weak reviews, length and period setting worked […]
For Hollywood, Christmas really is the most wonderful time of the year, because it doesn’t come but once: with the exception of a New Year’s Eve dip, every day between December 25 and January 2 will perform like a Friday. That’s great for the box office, but it makes any analysis of “comps” and […]
UPDATE: The release of THE INTERVIEW continues to be improvisational, and contrary to regular practice–as well as Sony’s previously expressed plans–the studio announced on Sunday that in addition to its $2.8M take from independent theatres, the film earned $15M from online viewing in the Wed-Sat period. However, Sony didn’t specify how that amount was […]
OPENINGS: RIDE ALONG 2 (Universal) is projecting a $39.5M 4-day weekend, 19% below the $48.6M opening of the first Ride Along exactly 2 years ago. That would put its US trajectory at $100-110M, enough to make it a fine piece of business for all concerned, but any growth would have to come from overseas, […]
OPENINGS: We’ll find out tomorrow if the studio’s $100.2M US weekend estimate for THE FATE OF THE FURIOUS (Universal), which counts on an influx of post-church Easter Sunday Christians, will slip into double figures. But even if the number holds, it’s down 32% from the Furious 7 opening. If Universal’s hypothesis that this decline […]
OPENINGS: With the addition of Saturday and overseas numbers, SOLO (Lucasfilm/Disney) is starting to shift from a disappointment to a potential disaster. In the US, Solo fell 30% on Saturday (by comparison, last year’s Memorial Day opening Pirates of the Caribbean 5, a movie no one particularly loved, dropped only 14% on its Saturday, […]