OPENINGS:  WHERE THE CRAWDADS SING (Columbia/Sony) launched with $17M, ahead of (low) expectations, and fueled by an audience of women in the midwest/south.  There’s no direct competition in sight, and it should be able to leg out past $50M in the US, which would be considered a win for the moderately-budgeted production.  Crawdads may […]

  OPENINGS:  THOR: LOVE & THUNDER (Marvel/Disney) opened within expectations at $143M, although it’s worth noting that while the Friday-to-Saturday drop was steeper than those for Thor: Ragnarok and Doctor Strange In the Multiverse of Madness (39% vs. 5%/36% respectively), the studio estimate assumes a better Saturday-to-Sunday hold than both (25% vs. 27%/33%).  If the […]

  OPENINGS:  MINIONS: THE RISE OF GRU (Illumination/Universal) exceeded industry expectations with a $108.5M 3-day opening.  That’s just a bit lower than the $115.7M launch for the first Minions movie, although that was an April 2015 launch that didn’t have the benefit of a holiday Sunday.  Rise of Gru is expected to hit $127.9M over […]

  OPENINGS:  ELVIS (Warners) opened at the higher end of low expectations with $30.5M.  That technically put it into a dead heat with Top Gun: Maverick for the weekend crown, although that’s misleading because like virtually all big-studio openings, Elvis essentially had a 4-day opening, while Maverick‘s weekend didn’t get to count any of its […]

  OPENINGS:  LIGHTYEAR (Pixar/Disney) was a tricky attempt to extend the hugely lucrative Toy Story franchise, both a prequel and a spinoff that featured a different version of the titular character than the one audiences have loved for decades.  Disney didn’t manage to convince fans that it was essential viewing, and the result was a […]

  OPENINGS:  Although JURASSIC WORLD: DOMINION (Universal) is being billed as the “conclusion of the trilogy,” the studio certainly won’t be abandoning the franchise, as Dominion opened to $143.4M, almost identical to the $148M for 2018’s Fallen Kingdom, and with a very similar trajectory, down 22% on Saturday (Fallen Kingdom dropped 15%, but that was […]

  OPENINGS:  David Cronenberg is a venerated filmmaker, but not a source of many box office hits:  in a career that spans more than 4 decades, his highest-grossing film in the US is still 1986’s The Fly at $40.5M (a little over $100M adjusted for inflation).  That won’t change with his brooding and frequently grotesque […]

  OPENINGS:  Although TOP GUN: MAVERICK (Paramount) is a 36-years-later sequel, the franchise that it really represents is Tom Cruise unto himself.  The last true Hollywood megastar brought in a massive audience that was mostly older men and between the coasts, to the tune of $124M for the 3-day weekend and $151M including Monday, making […]