OPENINGS: A variety of studios threw product at the Labor Day weekend wall. None of them broke through, but REAGAN (ShowbizDirect) zeroed in on its target audience–reportedly nearly 2/3 of the audience was over 55 years old, and 3/4 were white–for $7.4M over the 3-day weekend ($9.2M with Monday). Although films appealing to older […]
OPENINGS: INSIDE OUT 2 (Pixar/Disney) overdelivered massively compared to expectations with $155M in the US, a remarkable $65M higher than the start for 2015’s original Inside Out, and depending whether you count the “live-action” CG remake of The Lion King ($191.8M) as animated, either the #2 or #3 US opening for an animated feature […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still +12% above last year and still +21% above the average for this point the past four years ($2.624 billion). Over the same period, Hollywood films have grossed over $8.9 […]
OPENINGS: DESPICABLE ME 2 (Universal) had an even better weekend overseas than it did in the US, with $88.8M (in 45 markets, with plenty more major ones to come) vs $82.5M. (Of course, in the US it also had the benefit of a holiday week, giving it a huge $142.1M here so far.) The […]
OPENINGS: With the LA movie theatre market now open (at 25% capacity) and a general rise in vaccinations, the box office seems to be taking its first very tentative steps back to pre-pandemic life. The one wide opening of the weekend THE COURIER (Roadside) wasn’t at all impressive at a $2M start, but the […]
OPENINGS: The hugely-anticipated US opening box office numbers for TENET (Warners) turned out to be frustratingly opaque to interpret, and to the extent they were comprehensible, simply not very good. (Let’s assume it was coincidental and not meta that some are saying the same about the film itself.) Warners issued a grand total of […]
OPENINGS: THE MARVELS (Marvel/Disney) fulfilled the ghastliest projections assigned to it, setting a new low for the MCU with a $47M US opening, and it was similarly dismal overseas, with $63.3M from 51 territories. The internet is already bursting with theories that include “No one liked Captain Marvel in the first place” and the […]
OPENINGS: Just about everything about the release of TAYLOR SWIFT: THE ERAS TOUR (Variance/AMC Theaters) has been unique, and that includes the fact that the theater chain, a first-time distributor, has announced the weekend box office as $95-97M for now, with a definite number to be issued tomorrow. Even at the high end, that’s […]