WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 by studio.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is now +7% above last year and now +10% above the average for this point the past four years ($2.279 billion).  Over the same period, Hollywood films have grossed $6.4 billion […]

  OPENINGS:  The theatrical box office continued to pick itself up off the floor this weekend with two high-performing R-rated action movies, which thrived despite an overlapping target audience and the availability of one on a streaming service.  MORTAL KOMBAT (Warners, also on HBO Max) emerged the victor with $22.5M for the weekend, and could […]

Updated international box office chart:

  OPENINGS:  TOMB RAIDER (MGM/Warners) was a reboot that no one asked for, and although franchise movies aren’t star vehicles, the casting of Alicia Vikander in the lead didn’t excite anyone either.  Its $23.5M US weekend won’t get it very far in recouping $200M+ in production/marketing costs.  Things are better overseas, where Tomb Raider earned […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +14% above last year and now +23% above the average for this point the past four years ($1.863 billion).  Over the same period, Hollywood films have […]

  HOLDOVERS:  Once again, there were no significant openings this week.  And once again, the lack of competition didn’t help WW84 (DC/Warners, also on HBO Max), which had the worst hold of the top titles, down 46% to $3M.  It now seems unlikely to get much past $40M in the US, and it’s no longer […]

  OPENINGS:  I FEEL PRETTY (Voltage/H Brothers/STX) became the first Amy Schumer movie to dip on its 2nd day of release, indicating weak word of mouth.  Its $16.2M weekend put it in 3rd place for the weekend, with uncertain prospects.  STX only has the film in the US, with reported costs of $45M, which may […]

  OPENINGS:  LONGLEGS (Neon) captured the zeitgeist, successfully delivering the marketing message that it was the scariest horror movie in recent memory.  The result was  a$22.6M weekend, which set a new Neon record by a wide margin, and also marked the year’s highest non-franchise start for the genre.  Production and marketing costs for Longlegs reportedly […]