WORLDWIDE STUDIO SCORECARD.  Year to date, Warner Brothers has moved well ahead of its competing studios, thanks to two bona fide hits to balance two strikeouts.  Sony and Universal, the next level down each with around $450 million worldwide to date, has a similar hit and miss ratio to Warner Brothers, but the hits are […]

WORLDWIDE STUDIO SCORECARD.  We will continue tracking 2015 for several more weeks as the holiday films finish their runs.  We will begin tracking the 2016 slates next week.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date after three full weeks is now -5% above last year and now +6% above the […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2019 dollars for films released in late 2018. We will continue to track the 2018 slates until mid-February, when we will switch to tracking the 2019 slates. YEAR TO DATE BOX OFFICE. Looking at North American […]

> There’s been quite a bit written in the last few years about the phenomenon of US films doing much better business overseas than domestically, sometimes more than making up for American disappointment or failure–and rightly so, as a glance at Mitch Metcalf’s chart today confirms.  Indications are that the latest Harry Potter and Transformers […]

  OPENINGS:  Even in a normal box office marketplace, a mild rom-com with no big-name stars like THE BROKEN HEARTS GALLERY (TriStar/Sony) probably wouldn’t have made much money, and it has both a low production budget and limited marketing costs going for it.  All that being said, though, there’s nothing about a $1.1M weekend at […]

  OPENINGS:  In the US, THE MAZE RUNNER: THE DEATH CURE (20th) had an OK start with $23.5M, down from $32.5M/$30.3M for the first 2 films in the series.  It’s on track for $60-65M here.  However, it’s off to a much better start overseas, where it’s in 70 markets (with about half a dozen still […]

  OPENINGS:  Even among the mostly-sad legacy of Labor Day Weekend openings, OPERATION FINALE (MGM) was notably weak at $6M ($7.7M since its Wednesday launch), and that number incorporates a studio-estimated Sunday bump that would be the highest in the Top 10.  The weekend number, which may get to $7.5M with Monday added, is considerably […]

  OPENINGS:  The 3-day weekend in the US went narrowly to MEG 2: THE TRENCH (CMC/Warners) with $30M.  That was down more than 1/3 from the $45.4M start for The Meg in 2018, which would ordinarily be concerning for a film with $250M in production/marketing costs, but Meg 2 overperformed internationally even more strongly than […]