GET OUT (Blumhouse/Universal) is the latest hit from the prolific low-budget horror production company that still has Split in the market, off to a fast start according to preliminary numbers at Deadline with $10.5M on Friday (including $1.8M from Thursday night). Unlike most titles in the genre, Get Out also boasts terrific reviews (an […]
It’s a busy but not particularly big weekend at the multiplex. The weekend’s winner will be BOO 2! A MADEA HALLOWEEN (Lionsgate), which did a fairly good job of holding the audience for last year’s original Boo. Deadline reports a preliminary $7.5M opening day, down 21% from Boo‘s start. If that percentage holds, the […]
ALADDIN (Disney) marked a rebound from the opening day of Dumbo, with preliminary numbers at Deadline projecting $30.8M on Friday (including $7M from Thursday afternoon/evening), compared to $15.3M for Dumbo. The Memorial Day holiday will provide an extra boost, so the 3-day weekend should be around $86M, with $106M by Monday. Aladdin wasn’t cheap, […]
We’re just a few hours away from the launch of THE HUNGER GAMES: MOCKINGJAY PART I (Lionsgate) in over 4000 US theatres, not to mention 85 overseas territories (basically worldwide, with the exceptions of China–where the opening was originally scheduled for this week but abruptly pushed to 2015–Japan and India). There’s very little question […]
The major studios didn’t try to seriously challenge HALLOWEEN (Blumhouse/Miramax/Universal) on its titular weekend, and despite a 69% Friday-to-Friday drop to $10.3M according to preliminary numbers at Deadline, it will easily win its 2nd weekend with around $33M. At this rate, it could top $175M in the US, which would put it neck-and-neck with […]
DEC. 26 UPDATE: A mere adjustment to overaggressive estimation or an early sign, in this instant word-of-internet age, that audiences aren’t having a good time? The major change from last night’s early numbers is that THE WOLF OF WALL STREET slipped to $9.2M, falling behind THE HOBBIT: THE DESOLATION OF SMAUG for 2d place […]
PIXELS (Columbia/Sony) was marketed on its high concept rather than as an Adam Sandler star vehicle, perhaps reflecting not just Sandler’s dwindling value, but the shuttering of his long-term acting relationship with the studio as he moves to Netflix. The result was better than some of Sandler’s recent flops, but far from exciting: according […]
The real world, in the form of terrible reviews and dim word of mouth, caught up with BATMAN V. SUPERMAN: DAWN OF JUSTICE (DC/RatPac/Warners) on Friday. Actually, the signs had been there since midweek, although Warners and its box office pets had obscured the fact for a few days by comparing the daily results […]