> The Hollywood Reporter has some early numbers for the weekend’s overseas boxoffice. (Remember: comparisons of international boxoffice receipts aren’t necessarily apples-to-apples, as films follow different distribution patterns with respect to number and size of markets.) As in the US, BREAKING DAWN PART 1 is in the lead, with a projected $40M from 73 territories […]
> Due to the Martin Luther King holiday on Monday, all studios are estimating low Sunday drops, although some are projecting more aggressively than others. UNIVERSAL: CONTRABAND held almost even on Saturday, which is good for an action movie, and is projecting a reasonable (given the holiday) 21% drop on Sunday. It should get to […]
> Saturday was a little weaker than expected, according to preliminary boxoffice figures reported by Deadline, resulting in some shortfalls compared to initial weekend estimates. 21 JUMP STREET (Sony) had a small Saturday decline of about 5%, which should get it to around $34M for the weekend. The novelty of Will Ferrell speaking Spanish in […]
> Hollywood, like teen girls before a Twilight opening, counts the hours until THE AVENGERS arrives. OPENINGS: Universal badly miscalculated when it scheduled THE FIVE-YEAR ENGAGEMENT for a weekend when Think Like A Man and The Lucky One were both available for the romance market. The movie was moderately budgeted (although it had a substantial […]
The domestic box office was back down this week. Volatility has been the operative word recently. The first two weeks of May (April 30-May 13) were up more than 35% each from prior years, followed by the next three weeks (May 14-June 3) which were down around 15% each week. Then last week was up […]
Ice Age: Continental Drift enters the worldwide box office chart in 5th place among the movie released the last four months. Our projected $177 million domestic total is at the low end of the franchise (the original Ice Age grossed a similar $176 million domestic, far below the $197 million for Ice Age 3 and $195 million for Ice Age 2). […]
Yesterday we looked at some of the ways that the costs of producing a feature film are higher and more complicated than they might seem. Today, some additional obstacles that lie between any movie and profitability. These may be the most important and least-understood part of profitability calculations. Every entity that distributes a […]
Weekend #35 of 2012 looks fairly similar to the Labor Day weekends over the past few years. Only about $81 million for the top 12 films this weekend (defined as the three-day Friday-Sunday portion we always concentrate on), and very little chance of any new film breaking out on what is traditionally a very rough […]