WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +7% above last year and now +8% above the average for this point […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -21% below last year’s comparable span (3 points better than last week) and now -14% below the average for this point the past four years ($1.910 billion).  Over the same […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -5% below last year’s comparable span (2 points better than last week) and now +2% above the average at this point the past four years ($4.304 billion).  Over the […]

  WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -5% below last year’s comparable span and still basically even with this point the past four years ($7.738 billion).  Over the same period, Hollywood films have grossed almost […]

  OPENINGS:  For a year lean on powerhouse franchises and expected to be tough at the box office, Hollywood’s 2020 is off to a heartening start.  Following last week’s strong performance by 1917, this week’s BAD BOYS FOR LIFE (Columbia/Sony) blasted through expectations with a $59.2M 3-day weekend ($68M with the Monday holiday), and with […]

  OPENINGS:  There were no wide openings this weekend.  Limited releases included WILD MOUNTAIN THYME (Bleecker Street, also available digitally) at 450 theatres with a $223 per-theatre weekend average and a $100K total; and ARCHENEMY (RLJE, also available digitally) at 94 theatres with a $592 average and a $55K total. HOLDOVERS:  THE CROODS: A NEW […]

  OPENINGS:  GHOSTBUSTERS: AFTERLIFE (Columbia/Sony) opened with $44M, which was $2M below the launch of the 2016 Ghostbusters, a result treated as such a disaster that the franchise had to be re-rebooted.  Afterlife, though, is considered a success, thanks to a lower production budget ($75M, moderate for a tentpole), pandemic box office standards, and the […]

  OPENINGS:  Jordan Peele’s NOPE (Universal) premiered on the lower end of expectations at $44M.  That’s a significant number for a project that isn’t based on preexisting IP, but down 38% from Peele’s US, and Nope reportedly cost about $40-50M more than US to produce.  Add the fact that Peele’s films haven’t performed particularly well […]