(Note:  Most of the studios aggressively estimated their Sunday declines as being around 10%, even though last year’s Memorial Day Weekend Sunday drops were mostly steeper than that, so there could be a number of downward adjustments in store when final numbers are released.) OPENINGS:  X-MEN: DAYS OF FUTURE PAST (20th), oddly enough, was […]

  OPENINGS:  There were no new wide openings this weekend, and with the postponement of No Time To Die until 2021, and the announcement that Regal Theaters may be re-closing some or all of its houses, it’s not clear when the major studios will be returning.  (Currently Pixar/Disney’s Soul and Universal’s The Croods 2 are […]

  It wasn’t a great Saturday for either of the weekend’s big openings.  According to preliminary numbers at Deadline and elsewhere, 22 JUMP STREET (Sony/Columbia) fell more than 25% from Friday to around $19M.  That’s a much heavier Day 2 drop than Neighbors (9%) or Ted (13%), and could pull its weekend down as low […]

  OPENINGS:  THE AMAZING SPIDER-MAN 2 (Sony) won’t arrive in the US for almost 2 weeks, and so far it’s in only 14 international markets–and it was still the biggest story of the weekend, pulling in $47M in those territories, which included portions of Europe as well as Australia and Mexico.  Amazing 2 is following […]

> An eclectic trio of films open wide this weekend.  Cowboys & Aliens (the ultimate genre mash-up) should win the weekend with $41.5 million.  Captain America should drop to second place, while The Smurfs should battle with Harry Potter and the Deathly Hallows Part 2 for third place.  Crazy, Stupid, Love should open quietly in fifth […]

  OPENINGS:  WRATH OF MAN (Miramax/UA/MGM) held solidly through the weekend and emerged with $8.1M, better than Nobody‘s recent $6.8M start, and not too far below the $10.7M for Guy Ritchie’s pre-pandemic The Gentlemen.  That film ended up with $36.5M in the US, and with the relative lack of competition Wrath faces, it could also […]

  OPENINGS:  The hugely-anticipated US opening box office numbers for TENET (Warners) turned out to be frustratingly opaque to interpret, and to the extent they were comprehensible, simply not very good.  (Let’s assume it was coincidental and not meta that some are saying the same about the film itself.)  Warners issued a grand total of […]

  OPENINGS:  With a dreadful $5.3M weekend, OUT OF THE FURNACE (Relativity) emerged burnt to a crisp.  The only useful thing it could do at this point is boost Christian Bale’s chance for an Oscar nomination–not for Furnace, but for American Hustle, where he’s so visually and tempermentally different than he is in Furnace that it […]