Based on Friday’s grosses, weekend #10 of 2014 looks like $133 million for the top 12 films Friday-Sunday, slightly ahead of the the average for this weekend the past few years. Opening at 3,470 theaters Friday, 300: Rise of an Empire from Warner Brothers grossed $17.4 million Friday, putting the film on track for a $44.3 million opening […]
> The third weekend of 2012 is better than the same weekend last year, but it’s a fairly mediocre weekend looking at a broader historical context. Underworld Awakening is leading the charge at #1, but Red Tails is not too far behind. Underworld Awakening is coming in just under forecast, pulling in $9.4 million […]
Based on Friday’s grosses, weekend #13 of 2014 looks like $126 million for the top 12 films Friday-Sunday, down 10% from the average for this weekend the past several years. Opening at 3,567 theaters Friday, Noah from Paramount grossed $14.9 million through Friday, putting the film on track for a $40.4 million opening weekend (slightly above our […]
OPENINGS: DUNE: PART TWO (Legendary/Warners) landed at the high end of projections with $81.5M. Comparisons with the 2021 Dune have little meaning, since that film was part of the studio’s controversial year of premiering simultaneously in theaters and via streaming, but compared to recent blockbusters, Dune 2 was below Ant-Man & The Wasp: Quantumania […]
This weekend’s boxoffice is something like a dead heat in a $5000 claiming race at a second-rate track. According to preliminary numbers at Deadline, TROUBLE WITH THE CURVE (Warners), END OF WATCH (Open Road) and HOUSE AT THE END OF THE STREET (Relativity) are all claiming identical $13.2M totals for the weekend. This means […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +14% above last year and now +23% above the average for this point the past four years ($1.863 billion). Over the same period, Hollywood films have […]
OPENINGS: No one expected THE CALL (TriStar/Sony) or THE INCREDIBLE BURT WONDERSTONE (Warners) to win this weekend. Call, though, is overperforming, and by Sunday it should be in a position to recoup its $15M (plus marketing) cost–not a big win for Halle Berry, but one of the first she’s ever had as a solo […]
MALEFICENT (Disney) made it clear very quickly that it’s not going to play strictly as a family movie, earning a strong $4.2M in Thursday night screenings that began at 7PM. That’s better than the Thursday night business for Alice in Wonderland ($3.9M) and Oz: The Great and Powerful ($2M), and more than half the […]