The young, fanatically committed audience for ONE DIRECTION: THIS IS US (Sony) is the very definition of probable frontloading, so it’s no surprise that the concert doc debuted with a strong $2.7M last night at 7PM, the best Thursday night result since The Conjuring a month ago.  That’s almost as much as the full […]

> 1:45AM UPDATE:  Deadline has updated its numbers, and the news keeps getting worse for THE THREE MUSKETEERS:  it now appears that the film won’t even get to $3M for Friday, meaning a dreadful $8M or so for this $90M budgeted bust.Most holdovers are doing very well, with FOOTLOOSE, DOLPHIN TALE, MONEYBALL, REAL STEEL, IDES […]

  OPENINGS:  DARK WATERS (Focus/Universal) expanded into wide release at 2012 theatres, and emerged with a mild $4.1M.  (By comparison, Focus’s previous release Harriet opened at 2059 with an $11.7M weekend.)  Its lack of awards traction thus far suggests that it’s going to have a hard time building any momentum for a run through the […]

Weekend #9 of 2014 is looking like an lame $102 million for the top 12 films, 33% behind the average for this weekend the past several years. With The Lego Movie returning to Earth and neither of the new movies this weekend looking like runaway hits, the box office is definitely cooling off. Opening at around […]

  OPENINGS:  THE WORLD’S END (Focus/Universal) is off to a very solid start, with a $2250 per-theatre average on Friday in just 1549 theatres, giving it a $3.5M day and a weekend that could hit $10M.  That compares well to the other entries in Edgar Wright/Simon Pegg’s “Cornetto Trilogy,” even though World’s End has the […]

  OPENINGS:  PIXELS (Columbia/Sony) isn’t the first Adam Sandler movie to approach a $90M production budget–incredibly, the first Grown Ups reportedly cost that much–but as his audience shrinks, it becomes more difficult to justify a greenlight for him at that level.  Pixels is reporting a very mild $24M weekend in the US (that number assumes […]

  Last week we ran through all the major Hollywood studios–Disney, Warner Bros, Paramount, Sony, 20th Century Fox and Universal–to see how their summers have been going.  Today we’ll take a look at Lionsgate, which is generally considered a “mini-major,” a studio that doesn’t release films with the volume or budget of the majors, but […]

> Deadline has preliminary Saturday boxoffice numbers, and IMMORTALS seems to have followed the fanboy-genre pattern of extreme front-loading, with a 2d day reported as $10.6M, down 25% from Friday.  It should still win the weekend easily with a $30-32M total, but considering the much bigger movies about to flood the market, it’s unlikely to […]