We’re now officially in the Christmas-to-New-Year’s holiday box office period, and the general form is going to follow 2015 fairly closely, with a Star Wars installment clearly in the lead (albeit much less lucratively than last year’s), a family vehicle in 2d place, and an assortment of also-rans behind them. Comparisons between ROGUE ONE […]
Warner Brothers is back on top of Disney, thanks to the second Hobbit film. For a complete ranking of 2013 films individually by worldwide performance click here. TOTAL NORTH AMERICAN BOX OFFICE. Looking at wide-release films in North America (those that play on at least 400 screens at some point), 2013 totals almost $9.5 billion, virtually even with […]
OPENINGS: WONDER WOMAN (RatPac/Wanda/Ten Cent/DC/Warners) is a big win with $100.5M in the US, and for the DC franchise, the 93% at Rotten Tomatoes may be almost as important a number. It’s also worth noting that unusually, Warners has conservatively estimated Sunday with a 28% drop (by comparison, Guardians Vol 2, arguably with less […]
OPENINGS: Things didn’t get better for ALLEGIANT (Summit/Lionsgate) as the weekend went on. Its $29.1M opening was down an awful 44% from the $52.3M for Insurgent, and with massive competition arriving next week and word of mouth that’s likely to be terrible, it may struggle to get past $75M in the US. As we […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +2% above last year and now +4% above the average for this point the past four years ($5.158 billion). Over the same period, Hollywood films have grossed almost $15.0 […]
OPENINGS: FIFTY SHADES FREED (Perfect World/Universal) declined a mild 17% from Fifty Shades Darker to $38.8M, suggesting that Freed will end up around $95M in the US That wouldn’t be great compared to roughly $150M in production/marketing costs, but the Fifty Shades franchise has always made the bulk of its revenue overseas, and that’s […]
With July 4th falling on a Saturday for the 1st time since 2009, this was fated to be a slow holiday at the box office. Nevertheless, the weekend’s openings were supposed to be able to overtake titles that have already been in the market for 3-4 weeks. Based on preliminary numbers at Deadline, however, […]
OPENINGS: THE POST (DreamWorks/Reliance/Participant/20th) expanded to wide release with $18.6M over 3 days (which should become $22M with Monday). That’s a bit better than the $15.4M 3-day start for Steven Spielberg’s Bridge of Spies, which didn’t have the benefit of a holiday weekend opening. Bridge got to $72.3M in the US, and The Post […]