OPENINGS:  PITCH PERFECT 2 (Gold Circle/Universal) blew past even the highest of expectations, outgrossing the entire US run of its predecessor with a $70.3M weekend, and proving not to be all that frontloaded with a 12% Saturday drop.  In addition, with a gradual international roll-out in just 29 markets, the movie earned $26.9M, which […]

  OPENINGS:  GOOD BOYS (Good Universe/Universal) easily led the weekend with $21M, a solid start for a comedy that probably had production/marketing costs under $75M.  It was somewhat frontloaded with a 12% Saturday drop, but summer Sundays have been running strong this year, so it should still have a fair weekend multiple.  Good Boys has […]

  OPENINGS:  THE EQUALIZER (Columbia/Sony) was a bit softer on Saturday than Denzel Washington’s other hits at this box office level, up 8% compared to 11% for American Gangster and 19% for Safe House.  (Possibly because Equalizer is a terrible movie.)  That resulted in a $35M weekend that was slightly lower than Friday’s start had […]

  OPENINGS:  THE SECRET LIFE OF PETS (Illumination/Universal) quintupled the next-highest grosser of the weekend, with the biggest opening in US history for an animated non-sequel at $103.2M, easily passing last year’s $90.4M for Inside Out.  It remains to be seen if Pets can match Inside Out‘s nearly 4x multiple, but whatever happens from here, […]

  OPENINGS:  DARK WATERS (Focus/Universal) expanded into wide release at 2012 theatres, and emerged with a mild $4.1M.  (By comparison, Focus’s previous release Harriet opened at 2059 with an $11.7M weekend.)  Its lack of awards traction thus far suggests that it’s going to have a hard time building any momentum for a run through the […]

2013 is turning into a photo finish.  The worldwide studio tallies below are for total box office performance of the films released wide sometime in 2013, so we are still counting up the figures for movies released late in the year.  Warner Brothers and Disney are separated by only $9 million.  Warner Brothers is actually […]

  OPENINGS:  ALL THE MONEY IN THE WORLD (Imperative/TriStar/Sony) opened on Monday to an indifferent public that didn’t care about Kevin Spacey being replaced with Christopher Plummer, and nothing has changed over the course of the holiday week.  Its first full weekend is estimated at $5.5M, which should become $7.5M with Monday included, and it’s […]

  OPENINGS:  OZ THE GREAT AND POWERFUL (Disney) is having an oddly topsy-turvy weekend.  On the one hand, in the US it got the Saturday bump it needed from family audiences, rising 37% (better than Alice in Wonderland, although nowhere near The Lorax), allowing it to claim a $80.3M weekend.  Even if that number comes […]