OPENINGS:  Considering that DOWNTON ABBEY: A NEW AGE (Focus/Universal) is something like a fresh MCU chapter for the older female audience, the fact that the sequel opened at $16M despite solid reviews–a painful 48% drop from the first theatrical entry in the franchise just 3 years ago–is a sobering sign that this demo just […]

  OPENINGS:  MAGIC MIKE’S LAST DANCE (Warners) was produced as an HBO Max original, and then the new Warners ownership decided to give it a mid-level theatrical release in 1500 theaters.  The result was an $8.2M weekend, considerably below the $12.9M launch of Magic Mike XXL in 2015 (at 3355 theaters).  XXL had a leggy […]

  OPENINGS:  What are we to make of the $23M start for KILLERS OF THE FLOWER MOON (Paramount/Apple)?  As serious 3+hour historical epics go, while it’s a small fraction of Oppenheimer‘s $82.5M launch, it’s better than the $22M 5-day opening for House of Gucci, and the $18.4M for 2013’s Scorsese/DiCaprio The Wolf of Wall Street […]

  OPENINGS:  TRAP (Blinding Edge/Warners) had the unenviable task of facing the 2nd weekend of Deadpool and Wolverine and wasn’t up to the task, emerging at the low end of expectations with $15.6M.  That’s in between the results for M. Night Shyamalan’s last 2 releases, Old ($16.9M) and Knock At the Cabin ($14.1M), but like […]

> TRANSFORMERS:  DARK OF THE MOON is reporting (pending actual numbers tomorrow) a 4-day weekend gross of $116.7M, giving it a total of $181.1M since opening Tuesday evening.  That puts it around 10% ahead of the original Transformers and 15% behind Transformers 2.  The original Transformers declined only 47% in its second weekend (the first […]

> Hollywood Hearts this weekend. OPENINGS:   It turned out that THE VOW (Screen Gems/Sony) was indeed slightly more frontloaded than SAFE HOUSE (Universal), but not by enough to rob it of 1st place.  Vow‘s massive $41.7M haul was higher than any opening weekend for a Julia Roberts, Sandra Bullock or Katherine Heigl vehicle–ever.  (Cut to […]

  OPENINGS:  Both of the weekend’s big arrivals found their audiences.  WRECK-IT RALPH (Disney) had to settle for $49.1M after Saturday’s 58% bump–not that huge for an animated title–but if those numbers hold, it’ll still be enough to set a record for (non-Pixar) Walt Disney Animation, beating the 48.8M for Tangled. FLIGHT (Paramount) had a […]

  OPENINGS:  In order for STAR TREK: INTO DARKNESS (Paramount) to hit its $70.6M weekend studio estimate (and $84.1M over 4+ days), it will need to have the best Sunday hold in the top 10 by a substantial margin.  Paramount has it slipping only 24%, when the next-lowest drop is 30% (and that’s also for […]