OPENINGS: The numbers for STAR WARS: THE RISE OF SKYWALKER (Lucasfilm/Disney) were always going to be huge, but despite all the “dog ate its homework” excuses like pre-holiday shopping syndrome that are ricocheting around the trades today, a $175.5M start in the US is a significant disappointment. Anyone who’s seen Skywalker knows that it […]
OPENINGS: The only wide launch this week (2027 theatres) was the horror movie THE EMPTY MAN (20th/Disney), which despite its big-studio credentials had a nearly invisible level of marketing behind it, and started with a $1.3M weekend that was low even by pandemic standards. AFTER WE COLLIDED (Open Road) had a limited arrival at […]
OPENINGS: The blockbusters are delivering even if other box office segments still aren’t, and that’s good news for pandemic-weary theater owners and studios. In the US, VENOM: LET THERE BE CARNAGE (Columbia/Marvel/Sony) set a new Covid-era record with a remarkable $90.1M opening, larger than the $75.4M earned by Shang-Chi a month ago, the $80.4M […]
OPENINGS: David Cronenberg is a venerated filmmaker, but not a source of many box office hits: in a career that spans more than 4 decades, his highest-grossing film in the US is still 1986’s The Fly at $40.5M (a little over $100M adjusted for inflation). That won’t change with his brooding and frequently grotesque […]
OPENINGS: The surprise isn’t so much that COCAINE BEAR (Universal) “overdelivered,” but that expectations were so low for a picture that had been the subject of pop culture fascination for months. The $23.1M weekend seems like a realistic reflection of that fact, and although business is likely to drop quickly now that audiences have […]
OPENINGS: THE MARVELS (Marvel/Disney) fulfilled the ghastliest projections assigned to it, setting a new low for the MCU with a $47M US opening, and it was similarly dismal overseas, with $63.3M from 51 territories. The internet is already bursting with theories that include “No one liked Captain Marvel in the first place” and the […]
OPENINGS: ALIEN: ROMULUS (20th/Disney) became the latest franchise product to hit big this summer, arriving at the high end of expectations with $41.5M. That was higher than 2017’s Alien: Covenant ($36.2M), although below 2012’s Prometheus ($51.1M). The film was also solid overseas, with a $66.7M start sparked by $25.7M from China. Romulus was budgeted […]
> REAL STEEL had a nice Saturday bump of 27%, but that’s far lower than the 40% it was initially claiming (and only 4% higher than the one for Ides of March, which is decidedly not a family matinee movie). The picture could benefit, though, from some additional matinee business on Columbus Day tomorrow. Also […]