OPENINGS: This was the weekend of AVATAR: THE WAY OF WATER (20th/Disney), and the epic’s launch was softer than widely expected at $134M in the US and $301M in all major overseas markets including China. Box office apologists, who at this point resemble political press secretaries, have rushed in to spin that Way of […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -9% below last year’s comparable span (1 point better than last week) and now -2% below the average at this point the past four years ($3.518 billion). Over the same […]
STUDIO SCORECARD. No change in the studio worldwide box office rankings this week. Universal is extremely hot with the broad international appeal of Fast & Furious 6, but there is still about $500 million to go to catch #1 Disney. Fox, Paramount and Warner Brothers are very tightly bunched in the next tier. Looking at […]
OPENINGS: STAR TREK BEYOND (Skydance/Alibaba/Huahua/Paramount) had a tepid start, claiming a $59.6M opening weekend in the US. Even if that number holds (it includes an extremely aggressive Sunday estimate), it would be 20% below the $75..2M 2009 franchise reboot, and even below the $70.2M earned by Star Trek Into Darkness, which opened on a […]
Yesterday’s studio estimate for THE HUNGER GAMES: CATCHING FIRE (Lionsgate) seemed high, with a Sunday drop predicted to be by far the lowest in the Top 10, so it’s not much of a surprise to see the weekend number reduced now that final figures are out, down $3M from $161.1M to $158.1M. Even with […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +7% above last year and now +8% above the average for this point […]
OPENINGS: GET OUT (QC/Blumhouse/Universal) had a remarkable Saturday performance for a horror movie, rising 17% in a genre that usually drops sharply on its 2d day of release. That’s better than the 13% bump for Day 2 of Split, and also better than the 14% increase for Insidious, one of the leggiest of recent horror […]
OPENINGS: The surprise isn’t so much that COCAINE BEAR (Universal) “overdelivered,” but that expectations were so low for a picture that had been the subject of pop culture fascination for months. The $23.1M weekend seems like a realistic reflection of that fact, and although business is likely to drop quickly now that audiences have […]