WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2019 dollars for films released in late 2018. We will switch to tracking the 2019 slates next week. BOX OFFICE. Looking at North American box office, 2019 is now -30% below last year’s comparable span and […]

  Note:  The Father’s Day tide is expected to lift virtually all movie boats on Sunday, and the studios have factored that into their weekend estimates.  However, next weekend’s declines may be steeper than usual as a result. OPENINGS:  MEN IN BLACK: INTERNATIONAL (Tencent/Columbia/Sony) was the latest big-budget franchise entry to perform dimly, with a […]

  OPENINGS:  MALEFICENT: MISTRESS OF EVIL (Disney) had a weak $36M start in the US, down 48% from the $69.4 opening of the first Maleficent 3 years ago.  If Mistress of Evil manages the same multiple as its predecessor, it could reach $125M in the US, but that may be a stretch, because Maleficent opened […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2020 film slates by studios (films entering wide release in the 2020 calendar year). BOX OFFICE. Looking at North American box office, 2020 is now +9% above last year’s comparable span but -13% below this point averaged over the past four years ($1.337 billion).  Over […]

  OPENINGS:  Even in healthy times, Super Bowl weekend isn’t a fertile time for movie openings, the exceptions being counterprogramming like 2008’s Hannah Montana concert movie.  In that vein, this weekend featured the limited release of the animated EARWIG AND THE WITCH (GKids) at 430 theatres, for a $100K total that translated into a $230 […]

  OPENINGS:  Pedro Almodovar’s PARALLEL MOTHERS (Sony Classics) expanded to wide release at 684 theaters in anticipation of the Oscar nominations that are little more than a week away, but its $300K weekend translated into a per-theater average under $500. HOLDOVERS:  The lack of any new Hollywood competition was as usual good for the films […]

  OPENINGS:  LYLE LYLE CROCODILE (Columbia/Sony) arrived below expectations at $11.5M (it might reach $13.4M with the Monday holiday), unable to take advantage of the 11-week gap since the last major family movie opened.  It has more than a month until Strange World claims that audience, but even with strong holds, it still may not […]

  OPENINGS:  There wasn’t any good news for this week’s wide releases, and that began with the weekend’s leader, as THE FLASH (DC/Warners) failed to meet even the lowest expectations with a sluggish $55.1M start.  (The studio’s 4-day estimate, including the Monday Juneteenth holiday, was an optimistic $64M.)  The 3-day total was significantly lower than […]