WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +5% above last year and now +15% above the average for this point the past four years ($1.543 billion).  Over the same period, Hollywood films have […]

  OPENINGS:  In the US, DADDY’S HOME 2 (Paramount) eked out a victory among the newcomers at $30M, thanks to a 6% family audience bump on Saturday.  That’s still 22% below the opening for the first Daddy’s Home, and it’s likely that spread will increase greatly through the week, since the original comedy opened on […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still down -2% from last year and still +1% above the average for this point the past four years ($8.038 billion).  Over the same period, Hollywood films have grossed $22.4 […]

  OPENINGS:  The Presidents Day weekend wide releases were Sundance titles seeking to take advantage of the expanded “2020” Oscar calendar, which includes films released through February 2021.  Both would likely have been platformed releases in a non-pandemic marketplace, and remained niche in their appeal.  JUDAS AND THE BLACK MESSIAH (Warners, also on HBO Max) […]

  The studios continued to be bullish on their holiday estimates, with preliminary Monday numbers expecting strong business that may or may not be confirmed in final box office figures tomorrow.  For now, the most optimistic film is HEAVEN IS FOR REAL (TriStar/Sony), expecting a mere 7% drop on Monday, with the older skewing NEIGHBORS […]

WORLDWIDE STUDIO SCORECARD. Scroll down for domestic and overseas grosses for each film individually so far in 2014. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2014 is now running -6% behind last year (worse than the -5% pace the last several weeks) and -3% below the average for this point the […]

  OPENINGS:  A QUIET PLACE: DAY ONE (Paramount) handily exceeded expectations with $53M in the US, better than its predecessors ($50.2M and $47.5M respectively, although Part II earned $57.1M over its 4-day holiday launch).  It was particularly impressive because Day One featured a different cast and creative team for the most part, suggesting that A […]

  OPENINGS:  The only new arrival this weekend certain of profitability is THE CONJURING 2 (New Line/RatPac/Warners).  It’s already earned $40.4M in the US (just lightly behind the first Conjuring‘s $41.9M opening) and $50M in 44 overseas markets, and although horror movies and sequels are usually frontloaded, even in a worst cast scenario it will […]