WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2019 dollars for films released in late 2018. We will continue to track the 2018 slates until mid-February, when we will switch to tracking the 2019 slates. YEAR TO DATE BOX OFFICE. Looking at North American […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -10% below last year’s comparable span (3 points better than last week and 8 points better than two weeks ago) and now -3% below the average at this point the […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -6% below last year’s comparable span and still -1% below this point the past four years ($7.077 billion).  Over the same period, Hollywood films have grossed almost $18.8 billion […]

  OPENINGS:  LITTLE WOMEN (Columbia/Sony) had a solid start with $16.5M over the 3-day weekend ($29M since Wednesday).  The next week will be particularly difficult to predict because of the midweek holiday, after which schools will mostly remain closed but some adults will be going back to work.  If Little Women can reach $50M by […]

  OPENINGS:  LET HIM GO (Focus/Universal) had a more substantial marketing campaign than most recent arrivals, and it seemed to benefit modestly from the added resources with a $4.1M weekend, the same start that Honest Thief had a few weeks ago. In limited release, THE DARK AND THE WICKED (RLJE) opened with $65K at 68 […]

  OPENINGS:  All the box office action is coming from franchises, with the latest being HALLOWEEN KILLS (Blumhouse/Universal, also on Peacock), which started at $50.4M.  The Peacock part of this story is probably being overstated by pundits (very few Peacock users subscribe to the tier where they would have access to the movie), and Kills […]

  OPENINGS:  LIGHTYEAR (Pixar/Disney) was a tricky attempt to extend the hugely lucrative Toy Story franchise, both a prequel and a spinoff that featured a different version of the titular character than the one audiences have loved for decades.  Disney didn’t manage to convince fans that it was essential viewing, and the result was a […]

  OPENINGS:  Franchises continued to be the lifeblood (so to speak) of Hollywood, and this week it was SCREAM VI (Paramount) breaking its saga’s previous record with $44.5M, almost 50% higher than the $30M for last year’s Scream reboot.  It was also above the $40M for 2000’s Scream 3, although that would change with an […]