OPENINGS: AVENGERS: INFINITY WAR (Marvel/Disney) got the historic opening of its dreams, edging out The Force Awakens with a $250M US weekend, and also becoming the #1 worldwide opening in history with $630M. That latter number is remarkable not only because it beat The Fate of the Furious by $88.1M, but even more because […]
OPENINGS: Amazingly, the 58% first weekend plunge from $96.2M for 2019’s Joker to $40M for JOKER: FOLIE A DEUX (DC/Warners) understates how much audiences hated the new film. For that, you have to look to the respective Friday-to-Saturday drops, after word of mouth had a chance to set in: 44% compared to 18%, which […]
OPENINGS: The box office for TWISTERS (Warners/Universal) was paradoxical. In the US, the movie strongly outperformed expectations with $80.5M. However, it showed much less appeal overseas, with $27.1M in 76 territories this weekend ($42.7M to date including some revenue from markets that opened last week). Twisters is also about to lose virtually all its […]
OPENINGS: The only new arrival this weekend certain of profitability is THE CONJURING 2 (New Line/RatPac/Warners). It’s already earned $40.4M in the US (just lightly behind the first Conjuring‘s $41.9M opening) and $50M in 44 overseas markets, and although horror movies and sequels are usually frontloaded, even in a worst cast scenario it will […]
OPENINGS: THE LEGO MOVIE 2: THE SECOND PART (Warners Animation) had a solid 83% family matinee bump on Saturday, but its $34.4M weekend studio estimate is still down more than 50% from the opening of the original Lego Movie, and down 35% from The Lego Batman Movie. (It’s considerably better than the relatively disastrous […]
As Hollywood becomes more and more dependent on action and animation franchises, the US market becomes increasingly less relevant. OPENINGS: NEED FOR SPEED (DreamWorks/Disney) made more money in China ($21.2M) on its opening weekend than it did in the US ($17.8M). Combined with $24.4M from 39 other territories around the world, Need is likely […]
OPENINGS: The Saturday hold for DUNKIRK (Warners) wasn’t as strong as those for other Christopher Nolan non-sequels, down 11% where Inception stayed steady, and Interstellar actually rose 8%, pushing the weekend studio estimate to $50.5M. Nevertheless, that’s a terrific start for a film that was far from a sure thing as a summer blockbuster. […]
(Note: Most of the studios aggressively estimated their Sunday declines as being around 10%, even though last year’s Memorial Day Weekend Sunday drops were mostly steeper than that, so there could be a number of downward adjustments in store when final numbers are released.) OPENINGS: X-MEN: DAYS OF FUTURE PAST (20th), oddly enough, was […]