WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 ends -4% below last year’s comparable 52-week span and basically even with this point the past four years ($10.656 billion). Over the same period, Hollywood films have grossed over $27.7 billion […]
Warner Brothers remains a mere $61 million ahead of second-place Disney, looking at worldwide grosses for films released in 2013. Each of the top two studios reaped about $50 million this past week, mostly from overseas activity for The Hobbit: Desolation of Smaug (Warner Brothers) and Frozen (Disney). For a complete ranking of 2013 films individually by worldwide performance click […]
OPENINGS: There had been an expectation, or at least a hope, that MISSION: IMPOSSIBLE – DEAD RECKONING PART I (Skydance/Paramount) would get a boost from the spectacular performance of Top Gun: Maverick, but that didn’t come to pass, and Mission 7 performed in line with others in the franchise. That meant $56.2M over the […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +14% above last year and now +23% above the average for this point the past four years ($1.863 billion). Over the same period, Hollywood films have […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still down -2% from last year and still +1% above the average for this point the past four years ($7.899 billion). Over the same period, Hollywood films have grossed over […]
THE MAIN EVENT: As the roof caved in on BATMAN V SUPERMAN: DAWN OF JUSTICE (DC/RatPac/Warners), the studio had two last-ditch goals: to avoid a Weekend 2 result that dropped 70% from last week or dipped below $50M in the US. Pending tomorrow’s final numbers, it appears to have managed that, with a 68% […]
OPENINGS: When studios trot out “bad weather” as their excuse for an underwhelming opening, it’s the industry equivalent of citing a homework-eating dog–and this week, it’s particularly clear that the inclement conditions that supposedly affected FOCUS (RatPac Dune/Warners) didn’t interfere at all with the holdovers that performed very strongly over the past 3 days. […]
OPENINGS: FIFTY SHADES FREED (Perfect World/Universal) declined a mild 17% from Fifty Shades Darker to $38.8M, suggesting that Freed will end up around $95M in the US That wouldn’t be great compared to roughly $150M in production/marketing costs, but the Fifty Shades franchise has always made the bulk of its revenue overseas, and that’s […]