OPENINGS: JIGSAW (Lionsgate) had a better Saturday hold than Saw VI (down 21% instead of 32%), and that saved it from having the lowest opening weekend of the franchise. However, its $16.3M start is still far below the $24.2M for the last installment Saw 3D, which killed off the series for 7 years. Jigsaw […]
Based on Friday’s and Saturday’s grosses, Weekend #26 of 2013 now looks like $185 million for the top 12 films, up a bit from yesterday’s $181 million estimate and still very close to the same weekend in recent years. Opening at 3,181 theaters Friday, The Heat from 20th Century Fox grossed $13.6 million Friday and $14.3 million […]
OPENINGS: We’ll find out tomorrow if the studio’s $100.2M US weekend estimate for THE FATE OF THE FURIOUS (Universal), which counts on an influx of post-church Easter Sunday Christians, will slip into double figures. But even if the number holds, it’s down 32% from the Furious 7 opening. If Universal’s hypothesis that this decline […]
OPENINGS: Although TOP GUN: MAVERICK (Paramount) is a 36-years-later sequel, the franchise that it really represents is Tom Cruise unto himself. The last true Hollywood megastar brought in a massive audience that was mostly older men and between the coasts, to the tune of $124M for the 3-day weekend and $151M including Monday, making […]
OPENINGS: The box office for TWISTERS (Warners/Universal) was paradoxical. In the US, the movie strongly outperformed expectations with $80.5M. However, it showed much less appeal overseas, with $27.1M in 76 territories this weekend ($42.7M to date including some revenue from markets that opened last week). Twisters is also about to lose virtually all its […]
OPENINGS: The biggest noise of the weekend by far was made outside the US, where CAPTAIN AMERICA: CIVIL WAR (Marvel/Disney) began its global campaign, and earned $200.2M in 63 territories comprising about two-thirds of the international terrain (not including China and Russia, among others). Disney has made it clear that that this is an […]
OPENINGS: SCARY STORIES TO TELL IN THE DARK (CBS/Lionsgate) dropped 21% on its 2nd day of release, which isn’t unusual for the horror genre (recently, The Curse of La Llorona fell 26% on its Day 2, and Child’s Play was down 25%), resulting in a $20.8M weekend, and a likely $40M US total. Scary […]
>The weekend studio estimates (based on Friday and Saturday actuals and projections for Sunday) are coming in slightly stronger than the weekend numbers posted yesterday (based on Friday actuals only). The box office volume for the top 12 films is now looking like a decent $123 million for the weekend, up 4% from last year’s […]