OPENINGS: There were no truly wide openings this weekend. However, a few low-budget films entered mid-level distribution. The horror movie SHORTCUT (Gravitas) averaged $420 over the weekend at 725 theatres for a $305K total. The other two arrivals were Sundance acquisitions. THE LAST SHIFT (Sony) averaged $270 at 871 for a $235K total. KAJILLIONAIRE […]
OPENINGS: OCEAN’S EIGHT (Village Roadshow/Warners) had a $41.5M weekend, the highest of the Ocean’s movies by a bit (not adjusting for inflation). The only point of concern is that it’s the first Ocean’s movie to drop on Saturday (by 4%, where the others had risen 6-17%), although that may only reflect the fact that […]
OPENINGS: RALPH BREAKS THE INTERNET (Disney) was somewhat frontloaded, with a 44% drop on Day 2, so it didn’t challenge Frozen‘s $93.6M record for the biggest 5-day Thanksgiving opening. But Disney has nothing to complain about with a #2 ranking and $84.5M ($55.7M over the 3-day weekend), putting it on track for $250M at […]
OPENINGS: At $6.5M, THE POSSESSION OF HANNAH GRACE (Screen Gems/Sony) performed adequately for a low-budget horror item placed in one of the lower-grossing weekends of the year. Possession also earned $4.1M in 17 international territories, the start of a release that will extend into early 2019. It has around $30M in production and worldwide […]
OPENINGS: THE POST (DreamWorks/Reliance/Participant/20th) expanded to wide release with $18.6M over 3 days (which should become $22M with Monday). That’s a bit better than the $15.4M 3-day start for Steven Spielberg’s Bridge of Spies, which didn’t have the benefit of a holiday weekend opening. Bridge got to $72.3M in the US, and The Post […]
OPENINGS: STAR TREK BEYOND (Skydance/Alibaba/Huahua/Paramount) had a tepid start, claiming a $59.6M opening weekend in the US. Even if that number holds (it includes an extremely aggressive Sunday estimate), it would be 20% below the $75..2M 2009 franchise reboot, and even below the $70.2M earned by Star Trek Into Darkness, which opened on a […]
OPENINGS: GODZILLA VS KONG (Warners, also on HBO Max) had the biggest US theatrical debut since the onset of pandemic closings with $48.5M over 5 days ($32.2M for the 3-day weekend). It will clearly roar past Tenet‘s $57.9M to become the highest-grossing title in over a year, and could pass $100M in the US. […]
> The weekend studio projections (Friday and Saturday actual numbers plus a studio-generated estimate for Sunday’s business) are very similar to the early look at the weekend from yesterday. Hop will lead the way, with Arthur and Hanna battling out for second place (a race that could go down to the wire Monday morning with […]