OPENINGS:  While DUNGEONS & DRAGONS:  HONOR AMONG THIEVES (eOne/Paramount) launched at the upper end of expectations, $38.5M (which included an unusually intense program of preview screenings) was a shaky start for a project with $250M in production/marketing costs and the hope to become a franchise.  It will need to hold up extremely well over the next several […]

  OPENINGS:  We won’t really know the order of the weekend’s closely-bunched Top 3 movies until final numbers are released tomorrow, but since the default position of any studio with a new opening is to claim victory, the fact that AMERICAN MADE (Cross Creek/Universal) is currently in 2nd place with $17M can’t be a good […]

  OPENINGS:  FORD VS. FERRARI (20th/Disney) had a strong start with $31M, and will hope to extend its run through the holidays and into Oscar season based on its initially older-skewing audience and excellent reviews and exit polls.  The only caution is that FvF was pricey for a non-IP project, with around $200M in production/marketing […]

Based on Saturday’s grosses, Weekend #12 of 2013 is another down weekend (making it 10 down weekends out of 12 this year so far): $130 million for the top 12 films Friday-Sunday (down 9% from an average comparable weekend the past few years and down 36% from the same weekend last year dominated by the […]

Based on Friday’s and Saturday’s grosses, weekend #39 of 2014 looks like $99 million for the top 12 films Friday-Sunday, 5% above the norm for this weekend ($95 million) and just a shade under yesterday’s estimate ($100 million). Opening at 3,236 theaters, The Equalizer from Sony grossed $12.6 million Friday and $13.6 million Saturday, now […]

  OPENINGS:  THE HOBBIT: THE DESOLATION OF SMAUG (Warners/MGM) had a better Saturday hold than last year’s An Unexpected Journey (-22% vs. -25%), suggesting that positive word of mouth is kicking in, and no doubt easing the minds of Warners executives.  The studio’s $73.7M weekend estimate still puts it 13% below Journey‘s start, but if […]

  OPENINGS:  Despite being the only high-profile arrival of the week, and having a pedigree and visual style that guaranteed it media attention, Robert Zemeckis’s HERE (Miramax/TriStar/Sony) bombed with $5M.  It’s been a tough decade for Zemeckis, once a maker of blockbuster hits, whose most recent moderate success was 2012’s Flight.  Here hasn’t opened overseas, […]

There was enough product at the multiplexes to make for a solid Thanksgiving weekend total, but holiday fireworks were absent. OPENINGS:  THE GOOD DINOSAUR (Pixar/Disney) had a $39.2M weekend ($55.6M since its Wednesday opening), putting it behind Frozen ($67.4M), Toy Story 2 ($57.4M) and Tangled ($48.8M) among Thanksgiving openings.  It continues to run closest to […]