OPENINGS:  BATMAN V SUPERMAN: DAWN OF JUSTICE (DC/RatPac/Warners) weathered a 38% Saturday drop and is currently estimating a $170.1M weekend.  That would make it Warners’ #1 US opening ever, beating the final Harry Potter‘s $169.2M, but that includes an aggressive Easter Sunday estimate, so it may fall behind by tomorrow.  (Depending on how that […]

  OPENINGS:  THE NEW MUTANTS (20th/TSG/Disney) was DOA long before the world was engulfed by a pandemic, repeatedly postponed as first 20th and then Disney tried to figure out what to do with it.  The only reason it’s having a theatrical release at all is that 20th’s pre-Disney co-financier TSG had the contractual right to […]

  OPENINGS:  It was important for THE MAGNIFICENT SEVEN (Village Roadshow/MGM/Columbia/Sony) to hit the $35M that the studio is currently claiming, because that puts it slightly over the two obvious comparisons:  the $34.1M for the last Denzel Washington/Antoine Fuqua collaboration The Equalizer, and the $34.5M just a few weeks ago for Sully, a film similarly […]

WORLDWIDE STUDIO SCORECARD.  Here is the updated 2015 Scorecard, with Universal pulling into a very close second place (just behind Warner Brothers) thanks to Fifty Shades of Grey.  This performance from Focus and Universal is the first bit of good news in a long time for the hapless Comcast corporation, as its proposed acquisition of […]

  OPENINGS:  LIGHTYEAR (Pixar/Disney) was a tricky attempt to extend the hugely lucrative Toy Story franchise, both a prequel and a spinoff that featured a different version of the titular character than the one audiences have loved for decades.  Disney didn’t manage to convince fans that it was essential viewing, and the result was a […]

  OPENINGS:  HAPPY DEATH DAY (Blumhouse/Universal) opened so well at $26.5M that inevitably, despite the fact that it appears to tell a completely closed-end story, talk of a franchise has started.  You can’t blame them:  Death Day isn’t quite at the blockbuster level of Blumhouse’s Split ($40M) or Get Out ($33.4M), but it’s starting better […]

  OPENINGS:  GOOD BOYS (Good Universe/Universal) easily led the weekend with $21M, a solid start for a comedy that probably had production/marketing costs under $75M.  It was somewhat frontloaded with a 12% Saturday drop, but summer Sundays have been running strong this year, so it should still have a fair weekend multiple.  Good Boys has […]

Based on Friday’s and Saturday’s grosses, Weekend #39 of 2013 looks like an okay $98 million for the top 12 films, up 5% from the average for the same weekend the past few years. Opening at 4,001 theaters Friday, Cloudy with a Chance of Meatballs 2 from Sony grossed $9.3 million Friday and $15.2 million Saturday, now on […]