> NEW YEAR’S EVE (Warners):  Hardly any bump from Saturday night couples meant about as low an opening as anyone could have reasonably imagined.  Even with some play during Christmas week, the picture may struggle to earn more than its $56M production budget (which is separate from a likely $100M+ worldwide marketing budget).  After J. […]

> According to preliminary numbers at Deadline, the weekend is looking auspicious for Mark Wahlberg’s CONTRABAND.  The modestly budgeted thriller (which, however, Universal has been expensively marketing for a solid month) is reporting a $7.7M Friday, which could mean $25-28M over the 4-day holiday weekend. Disney’s 3D re-release of BEAUTY AND THE BEAST is also […]

> You’re frontloaded!  No, you’re frontloaded! OPENINGS:  The movie audience has 3 main components–men, women, kids–and a weekend that offers a strong title for each one has a good chance of being successful.  The relatively low-budget THE VOW (Screen Gems/Sony) got off to a great start (too bad it’s not a great movie), with $15.4M […]

> The most successful movie of all time, Avatar, had an opening weekend ($77M) that only ranks 38th on the list of the biggest openings.  Conversely, the #1 opening weekend of all time belongs to Harry Potter and the Deathly Hallows (Part II), with $169M, more than double Avatar‘s–but its total gross of $381M puts […]

> Marvel spent a great deal of time and effort setting the stage for its full-house-of-heroes extravaganza THE AVENGERS, and it’s all paying off.  The movie opened in 39 international territories this past week (some on Wednesday, some on Friday), covering 70% of the globe other than the US, and has already grossed a gigantic […]

    MELANCHOLIA – Watch It At Home – The Title Tells the Tale   Here’s a quick primer in Oscar rules and how studios can get around them.  In order for a film to be Oscar-eligible (other than in a few special categories like Documentary and Foreign Film), it needs a theatrical release in […]

    TOWER HEIST:  Watch It At Home – Hardly Luxury-Class   There may never have been a director more proud of being a hack than Brett Ratner.  In a recent NY Times profile, Ratner boasts (when he’s not going on about his friendship with Roman Polanski, because yeah, there’s a social relationship you’d want […]

  It takes about an hour, but Nicholas McCarthy’s THE PACT, which premiered in the Park City At Midnight section at Sundance, eventually turns out to have a neat twist up its sleeve, one that switches the movie from haunted house horror to an entirely different subgenre of thriller.  And after that, a solid reel […]