> The Hollywood Reporter has fresher boxoffice numbers.  MONEYBALL’s start isn’t quite as high as it had looked, but a Friday close to $7M is still excellent, and should lead to a $20M or so weekend, especially since exit polls indicate audiences are in line with critics on this one.  THE LION KING, entering what’s […]

> Deadline has preliminary weekend boxoffice numbers, and if they hold, PUSS IN BOOTS will have had a remarkable second weekend.  DreamWorks Animation is reportedly claiming a Saturday number doubling its Friday, which would mean a $34M weekend, virtually even with its opening.  We’ll see if this claim survives till Sunday morning, let alone Monday […]

> Like any showbiz stripper, the Sundance Film Festival has left its most notable revelations for last:  after releasing its Competition Entries and its Midnight and Other Fringe Titles, today the Festival announced its highest-profile Premiere films, both scripted and documentary.  They seem a bit lower-key than usual this year, with stars and filmmakers notable […]

> Everyone wanted to go to the movies on the first full weekend of 2012. PARAMOUNT:  The studio went straight to its Paranormal Activity playbook to launch THE DEVIL INSIDE (pre-release screenings, months of buzz), and it all worked:  the picture should gross at least $30M in its opening weekend, and with a $1M production […]

>Courtesy of the London oddsmakers (averaging a variety of books at easyodds.com), there appears to be little suspense ahead for the Best Picture and Best Director races at this year’s Academy Awards and almost no races at all for Best Supporting Actor and Actress.  Currently, The Artist is heavily favored to win Best Picture, with […]

> Saturday was a little weaker than expected, according to preliminary boxoffice figures reported by Deadline, resulting in some shortfalls compared to initial weekend estimates.  21 JUMP STREET (Sony) had a small Saturday decline of about 5%, which should get it to around $34M for the weekend.  The novelty of Will Ferrell speaking Spanish in […]

> Despite all Universal‘s efforts to imprint audiences with the idea that THE FIVE-YEAR ENGAGEMENT is some kind of quasi-sequel to Bridesmaids (it’s not), preliminary numbers at Deadline show the movie to be underperforming badly.  Its $3.7M Friday was only in 3rd place for the day, well below the $6M opening day the same creative […]

  PROJECT NIM:  Worth A Ticket – If You Can Stand It   At first I wondered why on earth Fox Searchlight hadn’t grabbed James Marsh’s documentary PROJECT NIM at Sundance, to serve as an unofficial prequel to Big Fox’s release of Rise of the Planet of the Apes next month.  It seemed like a […]