> The fifth weekend of 2012 is much better than the same weekend last year, but it’s still somewhat below an “average” weekend for this time of year, looking at the past four years.  Chronicle and The Woman in Black are battling for #1, with each trying to make it to a $20 million opening […]

Based on Friday’s and Saturday’s grosses, weekend #30 of 2015 now looks like $140 million for the top 12 films Friday-Sunday, lower than yesterday’s projection and now slightly below the norm for this weekend and a touch above last year’s weekend. Opening at 3,723 theaters Friday, Pixels from Sony is now on track for a $24.0 million opening three-day weekend […]

    ONE FOR THE MONEY:  Not Even For Free – Another Heigl Misfire   Movie stars are, make no mistake, trademarks.  Consumers who invest in 2 hours of George Clooney or Will Smith expect the same kind of reliable enjoyment that they get from a can of Coke or a pair of Nikes.  And […]

Weekend #41 of 2014 is looking like $126 million for the top 12 films this weekend, up 19% from the norm for this weekend. Opening at around 3,000 theaters Friday (above the 2,886 average theater count for opening weekends the last two years), Alexander and the Terrible, Horrible, No Good, Very Bad Day from Disney should average a barely […]

>Through Sunday, Team Metcalf’s lead in the ShowBuzzDaily Summer Movie Draft is now $101 million.  That lead will expand somewhat over the weekday period because of the number of Metcalf’s films in more recent release, but Team Salem has the final advantage of having three more movies to open, most notably Rise of the Planet […]

>The Devil Inside looks like a $34-35 million opening weekend based on studio estimates (Friday and Saturday actual results with estimates for Sunday).  The top 12 films combined total this weekend has been reduced to $128 million, still 7% ahead of the typical total for the comparable weekend in past years and 30% above the […]

This weekend is normally dead.  On average, last weekend (the three days after Thanksgiving) is the 7th busiest of the year, while this weekend (the first in December) is normally ranked 50th in terms of volume.  Last year, there were no wide releases on the comparable weekend, and two years ago only one film was […]

> The first substantial buy of the Toronto Film Festival (Shame had sold first, but for art film prices) turned out to be Salmon Fishing In the Yemen, a modestly engaging romantic comedy from Lasse Hallstrom.  Hallstrom has made a career out of “modestly engaging,” following his early distinction with My Life As a Dog […]