> Derick Martini’s HICK is like a Sundance movie that took the wrong indie-film exit and wound up in Toronto.  For whatever reason, Toronto’s film festival tends to find itself with fewer stories of young people from small towns who come of age on the road, so Hick has a little air of distinction here. […]

> The irony of the new DreamWorks/Disney is that thus far, their big “event” spectaculars have done only modest business–I Am Number Four opened with $19.5M and ended up with $55M domestically, and REAL STEEL might do about 25-30% better–while their “little” picture THE HELP has been a blockbuster, one of the most profitable films […]

> … and here we go.  BREAKING DAWN PART 1 narrowly set a Twilight franchise record last night with the 2d highest midnight screening grosses on record, $30.25M.  This was (very slightly) ahead of Eclipse‘s $30.1M last June, as well as the November 2009 opening of New Moon, which reached $26.3M for its midnight screenings. […]

> Sony jump-started the release of THE GIRL WITH THE DRAGON TATTOO last night with early runs starting at 7PM at its slightly less than 3000 theatres.  Early reports are that it pulled in $1.6M for those showings.  There aren’t a lot of R-rated Tuesday night “preview” comparisons to draw on (OK, there are none), […]

>Benh Zeitlin’s BEASTS OF THE SOUTHERN WILD is the kind of movie that makes people wince when they hear “independent film”. A tale, with magical realist overtones, set in the mostly African-American poverty of the Louisiana bayous, it’s narrated by its precocious child protagonist, known as Hushpuppy (Quvenzhane Wallis). Hushpuppy lives with her father Wink […]

> Navy SEALs shoot up the Friday boxoffice. OPENINGS:  The very aggressive marketing for ACT OF VALOR (Relativity) made it seem like it was a patriotic duty to see the film, and successfully hid the fact that it’s mostly a sub-par B action movie.  The question now is whether its quality will catch up with […]

> So what just happened, and what’s likely to happen next?  Here’s a quick look at what’s new in Panem: FINAL NUMBERS:  It turns out THE HUNGER GAMES wasn’t such a hit after all, earning a measly $152.5M in its first 3 days of release, instead of the estimated $155M.  Actually the discrepancy was pretty […]

In recent years, the Oscar for Best Foreign Language Film has come to stand for not much more than a fair level of craftsmanship and a comfortable pitch of moral predicament (The Secret In Their Eyes, Departures, and The Counterfeiters are the most recent undistinguished winners).  This year’s winner, Susanne Bier’s IN A BETTER WORLD, […]