WORLDWIDE STUDIO SCORECARD.     YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is still +6% above last year and still +2% above the average for this point the past four years ($6.833 billion).  Over the same period, Hollywood films have grossed $18.1 billion worldwide when we add overseas box office (that’s […]

SAFE HOUSE:  Watch It At Home – You’ve Seen It     SAFE HOUSE feels like a remake, even though technically it’s not.  It’s a little bit Training Day, a little Bourne, a little Man On Fire (and everything else Tony Scott has ever done), with almost nothing added of its own, an exercise in […]

>The weekend studio estimates (based on Friday and Saturday actuals and projections for Sunday) are coming in slightly stronger than the weekend numbers posted yesterday (based on Friday actuals only).  The box office volume for the top 12 films is now looking like a very good $145 million for the weekend, up 11% from last […]

Oz the Great and Powerful had a very good week overseas, up $67 million to $137 million foreign to date and almost $400 million total projected worldwide.  It should approach $600 million worldwide, ending up at around #5 on our chart. The other significant gainer this past week was A Good Day to Die Hard, up $23 […]

The 21st weekend of 2012 is looking like a stunningly weak $138 million for the Top 12 films Friday-Sunday, down 36% from this weekend last year (one of those rare 2011 bright spots) and down 19% from the more normal four-year average for the same three-day weekend.  Men in Black will be #1 for the […]

2013 is turning into a photo finish.  The worldwide studio tallies below are for total box office performance of the films released wide sometime in 2013, so we are still counting up the figures for movies released late in the year.  Warner Brothers and Disney are separated by only $9 million.  Warner Brothers is actually […]

>The weekend studio estimates (based on Friday and Saturday actuals and projections for Sunday) are coming in somewhat stronger than the weekend numbers posted yesterday (based on Friday actuals only).  The box office volume for the top 12 films is now looking like $99 million for the weekend, up a modest 7% from last year’s […]

> DRIVE is a self-conscious genre movie, and those are tricky propositions.  On the one hand, you need to make your existential or other textual statement with all the artistry at your command; on the other, you still have to fulfill the demands of the genre you’ve chosen.  If you do it right, you have […]