The Oscars are not the Golden Globes. That appears to be the underlying message of today’s action by the Academy of Motion Picture Arts & Sciences, revoking the Best Original Song nomination of “Alone Yet Not Alone” from the film of the same name. (According to The Hollywood Reporter, this is just the 2d disqualification in Oscar history.) It’s fine enough for the Globes to make snarky jokes about members who barely know what they’re voting for and have half an eye (at least) toward pulling movie stars into their banquet room, but the Academy is above all that.
The controversy over “Alone Yet Not Alone” began the instant its nomination was announced, because no one had ever even heard of the film, let alone the song. (Apparently it had a very small and unnoticed run last fall, and the technically required 1-week engagement in an LA-area theater, supposedly with a larger release planned for this spring.) It wasn’t sung by a well-known artist (the singer was the quadriplegic evangelical minister Joni Eareckson Tada), it had no sales, and investigation showed that the film was one made expressly for Christian audiences about a family during the Revolutionary War. Meanwhile, prominent potential nominees like Taylor Swift and Beyonce were ignored by the voters.
Further investigation showed that the song was written by Bruce Broughton (with Dennis Spiegel). Broughton happens to be a high Academy official, a former member of the Board of Governors and currently a member of the Music Branch executive committee, and the way the other 239 voting members of the Music Branch heard of the song was because he e-mailed it personally to at least some of them. Although Broughton claims that he was merely trying to draw attention to the song’s existence against competitors who were infinitely better financed, it had the ugly look of pressure from above, and overall it was an embarrassment to the Academy. So it had to go.
The Academy will not replace “Alone Yet Not Alone,” leaving 4 nominees left: “Happy” from Despicable Me 2, “Let It Go” from Frozen, “The Moon Song” from Her, and “Ordinary Love” from Mandela: Long Walk To Freedom.
Related Posts
-
Oscar Nominations
>We'll have some analysis later (good news: Extremely Loud! Margin Call for Screenplay! Bad news: no Michael Fassbender? No David Fincher?), but for now, here's a link to the full list of Oscar nominees:http://oscar.go.com/nominees?cid=ealert_012412_oscars_nom_nomindex_oscarpagevideovisitorsSent via BlackBerry by AT&T
-
OSCARLAND: Final Oscar Nomination Predictions
Let’s face it: anyone with an interest in the matter has been circling the same basic list of titles and names for weeks now, if not months, and the truth is that as much fun as it would be for some shocking surprise to find its way into tomorrow’s…
-
OSCARLAND: Independent Spirit Awards
And the winners were… 12 Years A Slave, Matthew McConaughey, Cate Blanchett, Jared Leto, Lupita Nyong’o… Hey, wait a minute. Aren’t the Oscars tomorrow night? There was a time when the Independent Spirit Awards were genuinely, you know… independent. Films like Leaving Las Vegas, The Apostle, Gods and Monsters,…
-
Oscar Ballot Tip Sheet
In case you are staring at an Oscar ballot this afternoon or this evening and have no idea what to select, especially in the “down ballot” categories such as documentaries, foreign language film, or the technical awards, never fear. Lean on the professional oddsmakers to help to separate the wheat…
-
SHOWBUZZDAILY AWARDSWATCH: Oscar Guy
The success of TED having made Seth MacFarlane a legitimate name in the movie universe, the Academy and ABC have decided to make him an unexpected choice to host nest year’s Academy Awards telecast. This isn’t a crazy idea, although MacFarlane has never done anything like it. He’s obviously…
About the Author
Mitch Salem
MITCH SALEM has worked on the business side of the entertainment industry for 20 years, as a senior business affairs executive and attorney for such companies as NBC, ABC, USA, Syfy, Bravo, and BermanBraun Productions, and before that, at the NY law firm of Weil, Gotshal & Manges. During all that, he has more or less constantly been going to the movies and watching TV, and writing about both since the 1980s. His film reviews also currently appear on screened.com and the-burg.com. In addition, he is co-writer of an episode of the television series "Felicity."
More articles by
Mitch Salem »