As we head into Memorial Day weekend, we have a change to report in the Team Weil slate for the ShowBuzzDaily Summer Movie Draft.  Paramount has decided to push G.I. Joe: Retaliation out of the summer to March 29, 2013 to allow for a 3D conversion.  Absolutely, nothing wrong the film — nothing to see here, they […]

  OPENINGS:  THE LEGO MOVIE 2: THE SECOND PART (Warners Animation) had a solid 83% family matinee bump on Saturday, but its $34.4M weekend studio estimate is still down more than 50% from the opening of the original Lego Movie, and down 35% from The Lego Batman Movie.  (It’s considerably better than the relatively disastrous […]

  OPENINGS:  MONEY MONSTER (TriStar/LStar/Sony) held up well over the course of the weekend, thanks to an older audience that doesn’t rush out on Friday nights, and tripled its opening day to a $15M weekend total.  Not that many years ago, that would have seemed like a crazy low number for a thriller starring George […]

> The Marvel superhero audience likes to get its sleep.  Despite the fact that THE AVENGERS is expected to do record-challenging business this weekend, last night’s midnight screenings totaled $18.7M–a tremendous amount of money, to be sure, the 8th largest midnight opening of all time, but 8th place isn’t where Avengers mostly expects to be.  […]

> The 2011 box office slump continues in full force.  The top 12 films this Christmas weekend should total an anemic $112 million, down 15% from the comparable weekend last year and not even close to the previous three years.  Of course, weekend comparisons are tricky because the calendar is particularly cruel this year, putting […]

> The Saturday drop for PARANORMAL ACTIVITY 3 turned out to be very much in line with Paranormal 2‘s.  Paramount is estimating a better Sunday hold than the second installment had; if the result is instead the same as last time, the weekend gross will dip below $54M, but to a still-giant number.  Paranormal 3 […]

  OPENINGS:  INDEPENDENCE DAY: RESURGENCE (20th) is the latest indication that audiences may be tiring of massive CG spectacles–which is bad news for the major studios, since they’ve concentrated most of their line-ups into that genre.  ID:R‘s $41.6M weekend is mediocre at best for a would-be blockbuster with $300M+ in worldwide costs, suggesting a US […]

  OPENINGS:  WHERE THE CRAWDADS SING (Columbia/Sony) launched with $17M, ahead of (low) expectations, and fueled by an audience of women in the midwest/south.  There’s no direct competition in sight, and it should be able to leg out past $50M in the US, which would be considered a win for the moderately-budgeted production.  Crawdads may […]