> Chris Columbus’ Sorcerer’s Stone and Chamber of Secrets were well-crafted, entertaining movies, but Alfonso Cuaron’s 2004 HARRY POTTER AND THE PRISONER OF AZKABAN was the first real Potter film. It’s also the least successful financially (if you think $795M worldwide is something to complain about).  This may be because it’s burdened by the most […]

> In just her second feature film as a director (her first was 2006’s Oscar-nominated Away From Her), Sarah Polley demonstrates that she’s already a filmmaker with rare grace and sensuality in TAKE THIS WALTZ, which premiered tonight at the Toronto Film Festival.  Blessed with yet another superb lead performance by Michelle Williams, Polley’s film […]

> Here are capsule summaries of all this year’s SHOWBUZZDAILY Toronto Film Festival reviews, arranged more or less in order of preference.  Click on each title for the full review, and the complete list of all the reviews is here.  SHAME:  Audiences who go to the new film by Steve McQueen (not that one) for […]

> Gus Van Sant has been making movies for 25 years, but Restless–apart from its technical polish–feels like the work of a Sundance newcomer. And one who’s been reading too much Salinger, while meanwhile wearing out his DVD of Harold and Maude. Restless is way beyond twee; its mega-tweeness is like a Transformers movie compared […]

> Worth A Ticket; Birds Fly High Enough for Kids, and Adults Too. Click For More Reviews: THOR    PIRATES OF THE CARIBBEAN 4    MIDNIGHT IN PARIS Animation has, over the past decade, passed beyond being merely a movie genre to a veritable industry within the industry.  Every studio is in the business now, making films […]

  It’s been 23 years since the pre-Christopher Nolan version of the Batman franchise launched into the boxoffice stratosphere, and a lot has changed in the movie landscape.  (1989 is so long ago that it was a topical gag in the movie to cast Gotham City’s Mayor with an actor who looked like New York’s […]

> Watch It At Home:  Morgan Spurlock’s latest doc is more stunt than revelation. If Michael Moore were a movie franchise, Morgan Spurlock would be the direct-to-video entry in the series.  Or maybe the one that adds cheesy 3D effects to squeeze out every last dollar.   Moore is, lord knows, self-aggrandizing and fond of the […]

    THE IDES OF MARCH:  Watch It At Home – An Excellent Play Becomes a Merely Good Movie   The Ides of March, one of the most eagerly awaited of this year’s festival crop, is more entertaining than it is good. Oddly both low-key and melodramatic, claptrap and high-minded drama, it represents a series […]