DON’T BE AFRAID OF THE DARK – Not Even For Free:  No, Really–Don’t Be Afraid     FilmDistrict has gone out of its way to identify co-writer/co-producer Guillermo del Toro with DON’T BE AFRAID OF THE DARK, to the extent that from the marketing, one could easily fail to realize that the movie is […]

  2012 was, in the end, a very good year for movies–or a a good half-year, more accurately.  With the studios continuing to load their best efforts into the festival- and awards-heavy fall and winter part of the calendar, not a single one of the Top 10 below opened before July, and only 3 before […]

> Rodrigo Garcia’s film ALBERT NOBBS (he shares auteurship with Glenn Close, who served as screenwriter with John Banville and Gabriella Prekop and as a producer as well as star) caters to what used to be called the James Ivory audience, when he was still churning his films out. In NY, these are the audiences […]

> If you were going to describe the films of Terence Davies (Distant Voices, Still Lives, The Long Day Closes, The House of Mirth) in one word, that word would not be “dynamic.”  Or “kinetic.”  Or, well, “exciting.”  Davies directs stately tableaux, impressive and sometimes moving, but rooted in nostalgia and regret. Which is why […]

  PUNCTURE:  Worth A Ticket – A Bracingly Dark Ride   No one is going to see PUNCTURE in theaters, and that’s a shame, because unaccountably, it’s one of the best pictures around.  “Unaccountably,” because this is a film that doesn’t even seem to know there’s a radar to fly below:  although it contains an […]

> Although Fox Searchlight didn’t actually acquire Steve McQueen’s film Shame until last Saturday, in a sense the marketing campaign for the film began when the producers made it clear that the film would not be edited for US release, and would be distributed with an NC-17 rating. This quickly became the most memorable fact […]

> Watch It At Home: Fodder For the Undemanding Young One of the running gags in MR. POPPER’S PENGUINS is that the birds are fascinated by old Charlie Chaplin movies, and can be kept calm for hours just by placing them in front of a TV displaying the silent films.  Mr. Popper’s own ambition is […]

> Worth A Ticket:  A teen movie unlike any other. Richard Ayoade’s emotionally rich SUBMARINE is shaping up as one of the sadder stories of the indie boxoffice season.   It was greeted rapturously at the Toronto Film Festival in September 2010, and the US distribution rights were acquired by Harvey Weinstein; Ben Stiller signed […]