TRANSFORMERS:  DARK OF THE MOON – Worth A Ticket – But Only If You Insist On Seeing It This is what gives ulcers to control freak movie directors:  despite Michael Bay’s well-publicized orders to theater projectionists, at tonight’s premiere IMAX showing of TRANSFORMERS:  DARK OF THE MOON in West Los Angeles, the 3D system […]

> Watch It At Home:  Petty larceny. Sometimes casting can be too good:  Keanu Reeves playing a guy who pretty much sleepwalks through his own life is practically redundant.  His whole style, from the very start of his career in the Bill and Ted pictures (more than 20 years ago!), has been to lag a […]

> EXTREMELY LOUD AND INCREDIBLY CLOSE:  Worth A Ticket –  Earns Its Tears If EXTREMELY LOUD AND INCREDIBLY CLOSE accomplishes nothing else–and it actually accomplishes quite a bit–it’s served to let us know exactly where the third rail of current American popular culture is located.  It’s not every day that the august NY Times informs […]

    Not Even For Free   Remember Ken Russell’s movie of The Who’s Tommy?  The scene where Ann-Margret’s nervous breakdown was visualized by her television set vomiting out baked beans, chocolate and similar goo?  Watching Zach Snyder’s SUCKER PUNCH is like having that TV on permanent DVR.

  THE HELP – Worth A Ticket:  The Story May Be Soft, The Acting Isn’t   THE HELP is–and I mean this in a good way–a big-screen Hallmark Hall of Fame.   It’s a long, absorbing, emotionally satisfying piece of mainstream Hollywood moviemaking that skims the surface of its difficult subject–the life of black maids […]

> ARTHUR CHRISTMAS: Worth A Ticket – Yuletime Tidings With the Aardman Touch As the Thanksgiving holiday box-office has started to be counted, it’s become fairly clear that there isn’t much of an audience, at least in the US, for ARTHUR CHRISTMAS. Which is too bad, because it happens to be one of the warmest […]

    WE BOUGHT A ZOO:  Worth A Ticket – Cameron Crowe Pays His Dues and Keeps His Dignity   There’s a classic line in Albert Brooks’s incredibly prescient 1979 Real Life where Brooks, as the prototype of a reality-television director, tries to decide whether to do something unethical.  His rationalization for going ahead:  “What […]

    ONE FOR THE MONEY:  Not Even For Free – Another Heigl Misfire   Movie stars are, make no mistake, trademarks.  Consumers who invest in 2 hours of George Clooney or Will Smith expect the same kind of reliable enjoyment that they get from a can of Coke or a pair of Nikes.  And […]