> Worth a ticket. They say that the definition of madness is repeating the same action with the expectation of a different result. But that diagnosis doesn’t allow for this: a man (Jake Gyllenhaal) wakes up and finds himself on a train, where his reflection in the mirror doesn’t look like himself, and the woman […]
> Watch It At Home: Much sadness, little insight. BEAUTIFUL BOY is less interesting than you’d think it would be. The premise is certainly arresting: Shawn Ku’s first film (written with Michael Armbruster) tells the story of the aftermath of a school massacre, from the viewpoint of the parents of the teen who shot down […]
JACK AND JILL: Not At Any Price – 2 Adam Sandlers is 2 Too Many Does anyone really expect an Adam Sandler movie to be good anymore? Seriously, if you put aside his occasional relatively serious efforts (Funny People, Reign Over Me, Spanglish, Punch-Drunk Love, all boxoffice failures), and the occasional passable […]
> As has been reported, there really was an ambulance outside the Ryerson Theatre in Toronto after the midnight premiere of Alexandre Courtes’ THE INCIDENT, there to rescue at least one person who had fainted during the movie. Of course, this may just mean that Toronto Film Festival patrons have delicate sensibilities–an idea supported by […]
> Watch It At Home: Morgan Spurlock’s latest doc is more stunt than revelation. If Michael Moore were a movie franchise, Morgan Spurlock would be the direct-to-video entry in the series. Or maybe the one that adds cheesy 3D effects to squeeze out every last dollar. Moore is, lord knows, self-aggrandizing and fond of the […]
THE GIRL WITH THE DRAGON TATTOO: Worth A Ticket – David Fincher Meets Lisbeth Salander The most remarkable thing about David Fincher’s version of THE GIRL WITH THE DRAGON TATTOO (written for the English-language screen by Steven Zaillian) is that while remaining, for the most part, scrupulously faithful to the best-selling novel by […]
ANONYMOUS: Watch It At Home – The Bard Was A Beard, Claims Wheezy Expose ANONYMOUS is history tailored for the 1%. Although screenwriter John Orloff and director Roland Emmerich have swirled it into a complicated tangle of conspiracies and scandals, the idea at the center of Anonymous is simple enough (uh, Spoiler Alert): […]
Airing on Cinemax: At Home In Your Home With the failure of THE INFORMANT! at the box-office in 2009 (it grossed around $41M worldwide), Steven Soderbergh seemed to reach a crossroads in his career. Informantfollowed the even bigger financial flop of his ambitious 2-part Che, and soon afterward he announced his intention to retire […]