> Watch It At Home. Were the executives at Warner Bros so desperate to be in business with Russell Brand that they huddled together in a conference room one day, frantically going through their library titles in search of alcoholic lead roles he could play?  (“Days of Wine and Roses… a little dark.  Clean and […]

  2012 was, in the end, a very good year for movies–or a a good half-year, more accurately.  With the studios continuing to load their best efforts into the festival- and awards-heavy fall and winter part of the calendar, not a single one of the Top 10 below opened before July, and only 3 before […]

  ANONYMOUS:  Watch It At Home – The Bard Was A Beard, Claims Wheezy Expose   ANONYMOUS is history tailored for the 1%. Although screenwriter John Orloff and director Roland Emmerich have swirled it into a complicated tangle of conspiracies and scandals, the idea at the center of Anonymous is simple enough (uh, Spoiler Alert):  […]

> Worth a Ticket. HANNA may be the first movie not based on a graphic novel to feel like it is.  Written by Seth Lochhead and David Farr (the first film for both) and directed by Joe Wright, it has the feel of a film conceived in visual rather than dramatic terms, more concerned with […]

  CARS 2 – Watch It At Home:  Pixar Shifts Into Second Gear CARS 2 is preceded by a short subject, the first in what’s intended as a series called Toy Story Toons.  Entitled Hawaiian Vacation, it features all the familiar characters and voices, runs about 10 minutes, and effortlessly recaptures the joy, wit and […]

  CARNAGE:  Watch It At Home – Polanski and All-Star Cast Miss the Bullseye   The trick about CARNAGE, which is based on the Tony Award-winning play God of Carnage by Yasmina Reza, is that despite its pedigree, and the big names usually associated with it, it’s more of a game than a revelation.  The […]

> Derick Martini’s HICK is like a Sundance movie that took the wrong indie-film exit and wound up in Toronto.  For whatever reason, Toronto’s film festival tends to find itself with fewer stories of young people from small towns who come of age on the road, so Hick has a little air of distinction here. […]

> EXTREMELY LOUD AND INCREDIBLY CLOSE:  Worth A Ticket –  Earns Its Tears If EXTREMELY LOUD AND INCREDIBLY CLOSE accomplishes nothing else–and it actually accomplishes quite a bit–it’s served to let us know exactly where the third rail of current American popular culture is located.  It’s not every day that the august NY Times informs […]