BELLFLOWER – Worth A Ticket:  A Uniquely Mashed-Up Vision     Watching BELLFLOWER, you keep thinking that it’s going to resolve itself into some categorizable genre.  Mumblecore romance, maybe, or low-budget apocalyptic action, or slacker comedy.  But while the film sips at all of those conventions, it has a striking, oddball originality […]

    THE THREE MUSKETEERS:  Not At Any Price – All For None and None For All   If the last couple of Pirates of the Caribbean movies and the current Sherlock Holmes franchise had a really nasty, dirty weekend together in Atlantic City, and 9 months later one of them (I’m not saying which) […]

  COLOMBIANA – Not Even For Free:  Even the Body Count Is Dull   For a movie from the Luc Besson House of Action, COLOMBIANA is surprisingly listless and dispirited.  Besson first came to prominence as a director, with pictures like Subway and The Big Blue to his credit; then in 1990, he hit the […]

    SHERLOCK HOLMES:  GAME OF SHADOWS:  Watch It At Home – Far Too Elementary   We have to come to terms with the fact that an entire generation may recognize the name Sherlock Holmes not as the template for brilliant amateur crime-solving, but as a moderately intelligent action-comedy hero who dresses up in funny […]

    MY WEEK WITH MARILYN:  Worth A Ticket – Michelle Williams is Spectacular, Movie Is Fine   Harvey Weinstein has two movies on the way in the next couple of months featuring actresses who are presumptively in line for Oscar consideration: The Iron Lady with Meryl Streep as Margaret Thatcher, and MY WEEK WITH […]

> Gus Van Sant has been making movies for 25 years, but Restless–apart from its technical polish–feels like the work of a Sundance newcomer. And one who’s been reading too much Salinger, while meanwhile wearing out his DVD of Harold and Maude. Restless is way beyond twee; its mega-tweeness is like a Transformers movie compared […]

    WE BOUGHT A ZOO:  Worth A Ticket – Cameron Crowe Pays His Dues and Keeps His Dignity   There’s a classic line in Albert Brooks’s incredibly prescient 1979 Real Life where Brooks, as the prototype of a reality-television director, tries to decide whether to do something unethical.  His rationalization for going ahead:  “What […]

> The problem with 2011 on screen was more the pervasive mediocrity than an overload of terrible movies, but that doesn’t mean there weren’t some awful films to be found–and, if possible, avoided.  Here are 10 or so: 10.  ONE DAY:  Admittedly, a cheat:  One Day wasn’t a complete disaster–it was far less painful to […]