TAKEN 2:  Watch It At Home – “Particular Set of Skills” Indeed   As silly sequels to mindless hits go, TAKEN 2 is fairly entertaining, at least for a while.  The first movie, of course, was a surprise smash in 2009, at $145M (in the US alone) Liam Neeson’s biggest success as a solo […]

  THE HEAT:  Watch It At Home – A Functional Vehicle for Two Strong Stars Let’s face it:  it doesn’t really matter what THE HEAT is about.  A streetwise Boston cop, a straight-laced FBI agent, some crimes that need solving, teamwork imposed on the pair, hostility that turns gradually into friendship, a few mutual life […]

  PROMETHEUS:  Worth A Ticket – For the Visual Splendor, Not the Plot   Expectations were undoubtedly too high for PROMETHEUS.  The Alien franchise (and notwithstanding Ridley Scott and co-writer Damon Lindelof’s hemming and hawing on the subject, it’s utterly clear that Prometheus is nothing but a prequel entry in the franchise) has never been […]

      ACT OF VALOR:  Watch It At Home –  Fast Forward When They’re Not Shooting   If there were a genuine national military crisis, and a small group of expert soldiers were needed to protect the interests of the country, would you want George Clooney or Brad Pitt behind the triggers of those […]

  BLACKHAT:  Not Even For Free – One of Michael Mann’s Worst Michael Mann has become a filmmaking vampire; he sucks the blood out of promising projects.  His new, seemingly up-to-the-minute computer hacking thriller BLACKHAT, following his problematic Miami Vice film and Public Enemies (as well as the pilot for HBO’s Luck) is once again his trademark kind […]

  JACK THE GIANT SLAYER:  Watch It At Home – No Giants Here It’s been a dozen years since moviegoers took up residence in Middle Earth with the opening of the first Lord of the Rings film, and since the multi-billion dollar success of that franchise, Hollywood has refused to let us leave.  Apart from […]

  The borders between “movies” and “television” were already beginning to buckle pre-pandemic, thanks to Netflix and the desire of studios to release their product on as many simultaneous platforms as possible.  Now, of course, we’ve been 4 months without movie theaters, and the most optimistic view is that wide openings are still weeks if […]

> In just her second feature film as a director (her first was 2006’s Oscar-nominated Away From Her), Sarah Polley demonstrates that she’s already a filmmaker with rare grace and sensuality in TAKE THIS WALTZ, which premiered tonight at the Toronto Film Festival.  Blessed with yet another superb lead performance by Michelle Williams, Polley’s film […]