Showbuzzdaily’s Top 10 Films of 2012 can be found here, and the Worst 10 are here.  But there were other movies this year worth remembering: HONORABLE MENTIONS CLOUD ATLAS (Warners – October – written and directed by Andy Wachowski, Lana Wachowski and Tom Tykwer): An impossibly ambitious epic that was thrilling when it worked. […]

  THE FAULT IN OUR STARS:  Worth A Ticket – John Green’s Beloved Book Is Well Treated By the Screen It’s almost impossible to describe the plot of John Green’s YA novel THE FAULT IN OUR STARS without making it sounding precious and shamelessly sentimental.  Erich Segal’s Love Story, the giant hit and instant self-parody […]

  BAD WORDS:  Watch It At Home – Hilarious, For a While BAD WORDS eventually has to spell out its plot, and that’s when, like many an initially enthusiastic competitor, it fades, becoming increasingly soft and even sentimental.  For a while though, Jason Bateman’s directing debut, from a script by Andrew Dodge, is resolutely, and […]

  47 RONIN:  Not Even For Free – Another Big-Budget Hollywood Folly, Gift-Wrapped For Christmas 47 RONIN blows into town on unusually fetid winds of bad buzz.  It began filming something like 2 1/2 years ago under the direction of first-timer Carl Rinsch, who hails from commercials (naturally), and then had to be significantly reshot, […]

  THE AVENGERS:  Worth A Ticket – A Fun Summer Movie, No More Or Less   It’s easy to forget that THE AVENGERS is, you know, a movie.  It’s perhaps the ultimate example of corporate intellectual property, bioengineered years in advance of its production by Marvel and that company’s recent owner Disney, like the spawn […]

  MIDDLE OF NOWHERE, which won the Sundance US Dramatic Directing award for Ava DuVernay last night, is in no rush.  The films moves with deliberation as it establishes its leading character and her difficult situation:  Ruby (Emayatzy E. Corinealdi) isn’t a single mom, but she might as well be, with husband Derek (Omari Hardwick) […]

  OBLIVION:  Worth A Ticket – Dramatically Uneven, But Visually Spectacular OBLIVION is amazing to look at.  Even though it takes place in the same post-apocalyptic landscape where movie and TV audiences seem to spend most of their time these days, the director Joseph Kosinski and his cinematographer Claudio Miranda (he just won the Oscar […]

  BROS (Universal – Sept. 30):  Notwithstanding its occasional meta self-deprecation, it’s clear that Nicholas Stoller and Billy Eichner (both writer/producers and respectively director and star) want Bros to be Hollywood’s first mainstream big-screen gay rom-com hit.  It’s fitting in a way, then, that like so many straight rom-coms before it, Bros suffers from third […]