THE WAY, WAY BACK:  Watch It At Home – Modestly Engaging Coming-Of-Age Tale THE WAY, WAY BACK is one of the last real indie hopes for a original breakout hit this summer (it was a big buy out of Sundance, a $10M purchase by Fox Searchlight, the studio behind the Sundance smash Little Miss […]

  LINCOLN:  Worth A Ticket – The West Wing, Civil War Edition In today’s Hollywood, there aren’t many directors whose names are trademarks.  “A Martin Scorsese movie” doesn’t have the meaning that “an Alfred Hitchcock movie” used to have; David Fincher’s name doesn’t promise the same kind of specific entertainment that John Ford’s once did.  […]

  RED 2:  Watch It At Home – Less Fizz in the Drink This Time The first RED was a disarming surprise, a rom-com action adventure about retired but very lethal spies as bubbly as it was explosive.  It made almost $200M at the worldwide box office, and while that’s not quite Expendables money ($274M […]

  THE EXPENDABLES 2:  Watch It At Home – Grumpy Old Mercenaries The first reel of THE EXPENDABLES 2 is just about all the numbskull fun you could ever wish for.  Our intrepid team of Barney (Sylvester Stallone), Christmas (Jason Statham), Yang (Jet Li), Jensen (Dolph Lundgren), Hale Caesar (Terry Crews), and Toll Road (Randy […]

  LOOPER:  Worth A Ticket – Maybe Too Enthralling For Its Own Good   Rian Johnson’s most salient trait as a filmmaker may be a tendency to get carried away.  His first film, Brick, was a high school film noir so shrouded in mock-tough guy dialogue and exhaustively detailed mood that it forgot to tell […]

  THE THREE STOOGES:  Watch It At Home – More Nyuks Than You’d Expect   The Farrelly Brothers’ THE THREE STOOGES is better than its marketing campaign let on, and while that would be more impressive if the trailer and ad materials hadn’t been almost unwatchably bad, it still makes for a welcome relief.  The […]

  TED:  Watch It At Home – More Than a TV Show, Less Than a Movie   With TED, Seth MacFarlane makes his move to the big screen from a spectacularly successful career in adult-oriented TV animation, steering most of FOX’s non-Simpsons “animation domination” line-up with Family Guy, American Dad and The Cleveland Show.  More significantly, though, Ted marks his first […]

> There’s a principled discussion to be had about whether the Sundance Film Festival should be featuring movies that are essentially low-budget Hollywood entertainments made outside the studio system. But that discussion fades into irrelevance when the result is as hilarious and accomplished as FOR A GOOD TIME, CALL…, which premiered tonight. Directed by first-time […]